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Directory of foreign diplomatic officers in Washington.
The First Corporate War was over, Greater Arabia was at peace, and Humanity looked outward to the riches of the Solar System. It was a time of promise and prosperity, but old hatreds and alliances, still strong, could ignite a global war that could destroy it all.
This volume brings together for the first time a significant body of Professor Barnes' scholarly writing on early Korean state formation, integrated so that successive topics form a coherent overview of the problems and solutions in peninsular state formation.
The Fugitive made its debut on ABC on September 17, 1963. Over the next four seasons, the show enjoyed enormous commercial and critical success. Millions of fans followed the heroic exploits of Dr. Richard Kimble (David Janssen) as he eluded police lieutenant Philip Gerard (Barry Morse) and doggedly pursued the killer of his wife, the notorious one-armed man. The four-year television run was a commercial and critical success and the 1993 movie of the same name sparked renewed interest in the show. The coverage is episode-by-episode: title, cast lists, director, writer, original airdate, and a comprehensive plot synopsis.
This multidisciplinary companion offers a comprehensive overview of the global arena of public art. It is organised around four distinct topics: activation, social justice, memory and identity, and ecology, with a final chapter mapping significant works of public and social practice art around the world between 2008 and 2018. The thematic approach brings into view similarities and differences in the recent globalisation of public art practices, while the multidisciplinary emphasis allows for a consideration of the complex outcomes and consequences of such practices, as they engage different disciplines and communities and affect a diversity of audiences beyond the existing 'art world'. The book will highlight an international selection of artist projects that illustrate the themes. This book will be of interest to scholars in contemporary art, art history, urban studies, and museum studies.
In Natural Minds Thomas Polger advocates, and defends, the philosophical theory that mind equals brain—that sensations are brain processes—and in doing so brings the mind-brain identity theory back into the philosophical debate about consciousness. The version of identity theory that Polger advocates holds that conscious processes, events, states, or properties are type- identical to biological processes, events, states, or properties—a "tough-minded" account that maintains that minds are necessarily identical to brains, a position held by few current identity theorists. Polger's approach to what William James called the "great blooming buzzing confusion" of consciousness begins with t...
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