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The Nazis' Literary Grandfather
From 1900 to his death in 1945, Adolf Bartels reigned as the most notorious anti-Semitic literary critic in Germany. Bartels all but single-handedly popularized the radical nationalist and racist view of culture central to Nazi ideology. During the Weimar Republic, Bartels helped transform the fledgling National Socialist movement into the major force in German politics. Throughout his life, representatives of every political persuasion - from Gerhart Hauptmann to Adolf Hitler - recognized his importance and influence, even when they questioned his sanity. This biography of Adolf Bartels (1862-1945) not only serves as a centerpiece for detailing nearly a century of German literary, cultural, and political history, but also relates an engrossing personal narrative.
The Aryan Jesus
"Based on years of archival research, The Aryan Jesus examines the membership and activities of this controversial theological organization. With headquarters in Eisenach, the Institute sponsored propaganda conferences throughout the Nazi Reich and published books defaming Judaism, including a dejudaized version of the New Testament and a catechism proclaiming Jesus as the savior of the Aryans. Institute members - professors of theology, bishops, and pastors - viewed their efforts as a vital support for Hitler's war against the Jews."--BOOK JACKET.
A History of German Literary Criticism
First published in Germany in 1985, Geschichte der deutschen Literaturkritik was quickly recognized as the most original and comprehensive study to date of a proud critical tradition including such giants as Lessing, Goethe, and Heine. Now translated into English, it will serve as a model for a new approach to literary history in America and elsewhere, one emphasizing the connections of criticism with other public discourse. The editor, Peter Uwe Hohendahl, has provided an introduction and a chapter, "Literary Criticism in the Epoch of Liberalism,"translated by Jeffrey S. Librett. Filling in the history of German criticism from the Enlightenment to the present are Klaus L. Berghahn of the University of Wisconsin, "From Classicist to Classical Literary Criticism, 1730-1806," translated by John R. Blazek; Jochen Schulte-Sasse, University of Minnesota, "The Concept of Literary Criticism in Romanticism"; Russell A. Berman, Stanford University, "Literary Criticism from Empire to Dictatorship, 1870-1933,"; translated by Simon Srebrny; and Bernhard Zimmerman, University of Tübingen, "Developments in German Literary Criticism from 1933 to the Present," translated by Franz Blaha.
Who's Who in Nazi Germany
Who's Who in Nazi Germany looks at the individuals who influenced every aspect of life in Nazi Germany. It covers a representative cross-section of German society from 1933-1945, and includes: * Nazi Party leaders; SS, Wehrmacht and Gestapo personalities; civil service and diplomatic personnel * industrialists, churchmen, intellectuals, artists, entertainers and sports personalities * resistance leaders, political dissidents, critics and victims of the regime * extensive biographical information on each figure extending into the post-war period * analysis of their role and significance in Nazi Germany * an accessible, easy to use A-Z layout * a glossary and comprehensive bibliography.
Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany
An exploration of anti-Semitic behaviors in the German empire in the pre-WWI period
Weimar
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
Jewish Encounters with Buddhism in German Culture
In Germany at the turn of the century, Buddhism transformed from an obscure topic, of interest to only a few misfit scholars, into a cultural phenomenon. Many of the foremost authors of the period were profoundly influenced by this rapid rise of Buddhism—among them, some of the best-known names in the German-Jewish canon. Sebastian Musch excavates this neglected dimension of German-Jewish identity, drawing on philosophical treatises, novels, essays, diaries, and letters to trace the history of Jewish-Buddhist encounters up to the start of the Second World War. Franz Rosenzweig, Martin Buber, Leo Baeck, Theodor Lessing, Jakob Wassermann, Walter Hasenclever, and Lion Feuchtwanger are featured alongside other, lesser known figures like Paul Cohen-Portheim and Walter Tausk. As Musch shows, when these thinkers wrote about Buddhism, they were also negotiating their own Jewishness.
