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Introduction to the Interpretation of the Beethoven Piano Works /
  • Language: en
  • Pages: 166

Introduction to the Interpretation of the Beethoven Piano Works /

  • Type: Book
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  • Published: 1895
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  • Publisher: Unknown

None

Musical Form in the Age of Beethoven
  • Language: en
  • Pages: 217

Musical Form in the Age of Beethoven

A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.

Metaphors of Depth in German Musical Thought
  • Language: en
  • Pages: 351

Metaphors of Depth in German Musical Thought

What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.

Theory and Practice of Musical Composition
  • Language: en
  • Pages: 590

Theory and Practice of Musical Composition

  • Type: Book
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  • Published: 1866
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  • Publisher: Unknown

None

Die Lehre Von Der Musikalischen Komposition, Praktisch Theoretisch
  • Language: en

Die Lehre Von Der Musikalischen Komposition, Praktisch Theoretisch

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explorations in Schenkerian Analysis
  • Language: en
  • Pages: 374

Explorations in Schenkerian Analysis

Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.

General Musical Instruction
  • Language: en
  • Pages: 147

General Musical Instruction

A work on music theory and practice, published in 1854, in Novello's Library for the Diffusion of Musical Knowledge series.

The Critical Reception of Beethoven's Compositions by His German Contemporaries
  • Language: en
  • Pages: 296

The Critical Reception of Beethoven's Compositions by His German Contemporaries

Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.

Karl Marx and the Birth of Modern Society
  • Language: en
  • Pages: 392

Karl Marx and the Birth of Modern Society

A new, comprehensive biography of the life and work of Karl Marx For over a century, Karl Marx’s critique of capitalism has been a crucial resource for social movements. Now, recent economic crises have made it imperative for us to comprehend and actualize Marx’s ideas. But without a knowledge of Karl Marx’s life as he lived it, neither Marx nor his works can be fully understood. There are more than twenty-five comprehensive biographies of Marx, but none of them consider his life and work in equal, corresponding measure. This biography, planned for three volumes, aims to include what most biographies have reduced to mere background: the contemporary conflicts, struggles, and disputes t...

Introduction to the Interpretation of the Bethoven Piano Works
  • Language: en

Introduction to the Interpretation of the Bethoven Piano Works

Discover the secrets of interpreting one of the greatest composers of all time with this insightful guide from esteemed musicologist Adolf Bernhard Marx and talented pianist Fannie Louise Tr Cole. Filled with practical tips, historical context, and a deep appreciation for the beauty and complexity of Beethoven's piano works, this book is a must-read for all serious musicians. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.