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Adolfo Salazar as Composer
Adolfo Salazar (1890-1958) is well regarded as a critic, but his musical compositions are little examined. The scope of Spanish music from the 1910s, when Salazar composed his French-sounding work for solo piano Tres preludios and Trois chansons de Paul Verlaine, to 1948, when he completed the choral piece Cuatro letrillas que se cantan en las obras de Cervantes, is rich and cosmopolitan. This examination brings the work of Eva Moreda Rodríguez on Salazar's criticism and the work of María Palacios on Salazar's mentoring role into conversation with Salazar's compositional techniques. The French-sounding compositions of the 1910s represent a desire to break free of the formulae of Spanish mu...
Adolfo Salazar
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Music in Our Time
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Music in Our Time
The form society assumes at a given moment is reflected in the art of that moment. That art, so closely bound to the life it mirrors, is affected in an analogous way by the crisis through which the contemporary society may be passing. The art of our time illustrates this parallelism in a most striking way. And it is the object of this book to exemplify this correspondence in the field of contemporary music. from the author's preface
Music and Exile in Francoist Spain
The Spanish Republican exile of 1939 impacted music as much as it did literature and academia, with well-known figures such as Adolfo Salazar and Roberto Gerhard forced to leave Spain. Exile is typically regarded as a discontinuity - an irreparable dissociation between the home country and the host country. Spanish exiled composers, however, were never totally cut off from the musical life of Francoist Spain (1939-1975), be it through private correspondence, public performances of their work, honorary appointments and invitations from Francoist institutions, or a physical return to Spanish soil. Music and Exile in Francoist Spain analyses the connections of Spanish exiled composers with thei...
Sacred Passions
This biography offers a fresh understanding of the life and work of Spanish composer Manuel de Falla (1876-1946), recognized as the greatest composer in the Spanish cultural renaissance that extended from the latter part of the 19th century until the outbreak of the Spanish Civil War in 1936. The biography incorporates recent research on Falla, draws on untapped sources in the Falla archives, reevaluates Falla's work in terms of current issues in musicology, and considers Falla's accomplishments in their historical and cultural contexts.
Adolfo Salazar
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Síntesis de la Historia de la música [de] Adolfo Salazar
Apuntes y notas sobre "Síntesis de la Historia de la música" de Adolfo Salazar
