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Provides an invaluable and very accessible addition to existing biographic sources and references, not least because of the supporting biographies of major writers and the historical and cultural notes provided.
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, s...
What is literature? The question is difficult enough in itself. However, the West has made any hope of a proper answer literally untenable. It has provincialized literature into its own neighbourhood. This book brings together perspectives from both non-Western cultures and minority cultures within a supposed West (normally downsized to represent a part of Europe and the USA). Also considered, as parts of the problem, are various literature-related asymmetries such as global awards and translation. The prime concern of the book is awakening its readers to the fact that, incredibly but truly enough, literature in its total, all-human realization, is something yet to be discovered. It, thus, will especially appeal to literary scholars, making them conscious of the fact that their literary studies actually take into account only a fragment of literature, as well as university students of literature, in the hope it might prevent them from becoming heirs to their professors.
Includes entries for maps and atlases.
This volume represents perspectives on a number of aspects of modern Anglo-American drama and dramatists written by scholars from ex-Yugoslav republics, resulting from long years of common interest and cooperation in the field between the corresponding English Departments in the region. The volume was inspired by the Word across Cultures conference, organised by the Institute of Foreign Languages of the University of Montenegro in Podgorica, Montenegro, in July 2014. The researchers who participated in the conference’s literature section were testament to the growing interest in drama among regional literature scholars. The book will appeal to both an academic and non-academic readership. ...
Seeking to provide a survey of the development of the theatre from its beginnings in primitive ritual to the present day in all countries that have a continuing theatrical tradition, this edition offers information on contemporary writers, directors, plays, companies and theatres, both metropolitan and regional. Entries dealing with technical subjects emphasize the historical perspective and are illustrated when necessary. Other illustrations are placed in thematically arranged groups and function independent of the text, showing the changes of vision in theatrical production over the past 2000 years. ISBN 0-19-211546-4 : $49.95.
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
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