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Manned aerial reconnaissance, from the balloons of WWI to the helicopters of Vietnam, solidified the tactical need for Army Aviation which remained relatively unchanged until 1990. Significant changes have since occured on the battlefield with the advent of the modern day, unmanned flight and its technological abilities. From its humble beginnings of the suggested use of a toy aircraft kit, to the development and use in today's warfare in Iraq and Afghanistan, the unmanned aerial vehicle (UAV) possesses a deep history. Understanding this past may provide clues into where this technology may be going, and what problems could lie ahead.
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CMH Pub. 70-31. Army Historical Series. Examines the institutional origins of modern Army Aviation by recounting the experiences of the men who flew observed fire missions, or Air Observations Posts (AOP) in light aircraftfor the Field Artillery during World War 2. Identifies the circumstances and debate that gave rise to the AOP program.
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... IV AERIAL OBSERVATION A.--General XIII BEFORE going farther we had better fix in mind what we mean by " lines " and " positions," because we are often going to come across these expressions. In the modern trench system there are four positions--fire position (or, in the British idea, the observation position); cover position (about 25 to 50 meters behind the fire position); support (about 150 to 300 meters behind the cover trenches); and reserve (800 to 1,200 meters be...
From the first vistas provided by flight in balloons in the eighteenth century to the most recent sensing operations performed by military drones, the history of aerial imagery has marked the transformation of how people perceived their world, better understood their past, and imagined their future. In Aerial Aftermaths Caren Kaplan traces this cultural history, showing how aerial views operate as a form of world-making tied to the times and places of war. Kaplan’s investigation of the aerial arts of war—painting, photography, and digital imaging—range from England's surveys of Scotland following the defeat of the 1746 Jacobite rebellion and early twentieth-century photographic mapping of Iraq to images taken in the immediate aftermath of 9/11. Throughout, Kaplan foregrounds aerial imagery's importance to modern visual culture and its ability to enforce colonial power, demonstrating both the destructive force and the potential for political connection that come with viewing from above.