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Pasolini, Chaucer and Boccaccio
Pier Pasolini's "trilogy of life" is a series of film adaptations of major texts of the past: The Decameron, The Canterbury Tales, and One Thousand and One Nights. The movies demonstrate a film author's acute aesthetic sensibility through a highly original cinematic rendering of the sources. The first two films, closely examined in this book, offer a personal, purposefully stylized vision of the Middle Ages, as though Pasolini were dreaming Boccaccio's and Chaucer's texts through the filter of his "heretic" consciousness. The unusual poetic visualization of the source works, which could be described as irreverent cinematic homage, has the potential to renew the traditional reading of such li...
Pasolini, Fassbinder and Europe
The present collection of essays brings into dialogue Pier Paolo Pasolini (1922–1975) and Rainer Werner Fassbinder (1945–1982) by comparing their cultural and intellectual legacy. Pasolini and Fassbinder are amongst the last radical filmmakers to have emerged in Europe. Born in Italy and Germany, they inherited a traumatic social and political past which is reflected in their works through a number of similarly articulated and unresolved tensions: high and popular cultures, theatre, literature and cinema, ideology and narration, major and minor codes of expression. The essays in this book examine the uncompromising character of Pasolini’s and Fassbinder’s films. Constantly oscillating between utopia and nihilism, these works invite us to reconsider subjective and collective questions which from today’s perspective seem lost forever.
Winner and Waster and Its Contexts
First recent full-length analysis of a major medieval poem.
The Militant Middle Ages
In The Militant Middle Ages Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape current political contexts, offering a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past.
Framing Pictures
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.
Early Modern Voices in Contemporary Literature and on Screen
The “intangible power” of literature, which, in Umberto Eco’s words, “allows us to travel through a textual labyrinth (be it an entire encyclopaedia or the complete works of William Shakespeare) without necessarily ‘unravelling’ all the information it contains”, may be clearly identifiable in our contemporary age of intertextuality and, most importantly, of interdisciplinarity. It suffices to think of the countless film adaptations of Shakespeare’s works, or of the popular appeal of Dan Brown’s global bestsellers, the so-called Robert Langdon book series, which has made original (and contentious) use of literary and artistic masterpieces such as Dante’s Divine Comedy and ...
The Imperial Nightmare
Anthology from the year 2011 in the subject Didactics for the subject English - Literature, Works, grade: 2.1, Churchill College, Cambridge, language: English, abstract: Over forty essays on English Literature,all the product of deep reading and thinking about some of the landmark texts of the literary canon and some of the more obscure byways of English Literature. An insightful overview of the entire subject with detailed critiques on many key texts and original writing on more obscure ones.
Contemporary Chaucer across the centuries
This unique and exciting collection, inspired by the scholarship of literary critic Stephanie Trigg, offers cutting-edge responses to the writings of Geoffrey Chaucer for the current critical moment. The chapters are linked by the organic and naturally occurring affinities that emerge from Trigg's ongoing legacy; containing diverse methodological approaches and themes, they engage with Chaucer through ecocriticism, medieval literary and historical criticism, and medievalism. The contributors, trailblazing international specialists in their respective fields, honour Trigg's distinctive and energetic mode of enquiry (the symptomatic long history) and intellectual contribution to the humanities. At the same time, their approaches exemplify shifting trends in Chaucer scholarship. Like Chaucer's pilgrims, these scholars speak to and alongside each other, but their essays are also attentive to 'hearing Chaucer speak' then, now and in the future.
