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The Bader Collection
For many decades the Agnes Etherington Art Centre has received European paintings from the Bader Collection from a wide range of periods and schools, from the German Renaissance to the Italian Rococo. This book features the centre's substantial group of over 50 remarkable paintings from European schools, notably Italy, Germany, France and England.
The Bader Collection
The Bader Collection stands among the great private collections of its kind in the world. For the past 40 years Dr. Alfred Bader of Milwaukee has donated works to the Agnes Etherington Art Centre at his Canadian alma mater, Queens University, where the entire Bader Collection will be housed . This extraordinary collection demonstrates a rich interplay of interests and insights, at the same time drawing back the curtain on the motivations and principles behind these remarkable acquisitions, whose history dates back to 1950. This scholarly publication presents 200 Dutch and Flemish Baroque paintings that form the collections focus. Exhaustively researched, the richly illustrated entries present each painting in detail. An introductory essay explores the life of this remarkable collector and the motivations that drive his pursuit of the art of the Age of Rembrandt with such passion and insight.
Etherington House
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André Biéler
An exceptionally well-illustrated biography of Swiss born Canadian artist André Biéler (1896-1989) who is remembered for his paintings of rural Quebec, portraits of people and the organizations he founded.
Lost Bodies
"This publication documents the exhibition Brendan Fernandes: Lost Bodies presented at the Agnes Etherington Art Centre, Queen's University, Canada and explores facets of Fernandes' contemporary art, performance and choreographic practice that speak to Western collections of African art, and contextualizes its strategies of intervention by looking at scholarly and museum practices and colonial legacies."--
Sorting Daemons
"Digital information-gathering - in the form of images or data - increasingly affects our lives, tracking our movements, affiliations and consumer preferences. Such "sorting daemons" are used to control access to services, and to protect property and public order, while subtly reinforcing existing streams of influence and creating new ones." "Curated by Jan Allen with Sarah E. K. Smith, the exhibition Sorting Daemons complements the multi-faceted research project The New Transparency. The sixteen artists in this exhibition take measure of surveillance systems by producing works addressing their social, political and aesthetic dimensions. The publication features essays by Jan Allen, Kirsty Robertson and Sarah E. K. Smith expanding on the exhibition's theme through analysis of these and other landmark works of art." --Book Jacket.
