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Hafsatu Ahmadu Bello
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Araba Let's Separate
Araba(separation) was a word first used by rioters at a Bauchi demonstration signaling the Northern peoples desire to break from the federal republic of Nigeria. The catalyst for its first use was the cold-blooded murder of some prominent Northern elites, including the Premier of the North, Sir Ahmadu Bello, the Sardauna of Sokoto, by predominantly Igbo officers, on January 15, 1966 Araba became a rallying cry for the Norths disaffection with the state of affairs after Irons promulgation of the obnoxious decree No 34, making Nigeria a unitary state. In some quarters, it became resonant and synonymous with the rampant killing of Igbos in the North. These killings (similar things were happenin...
Corporate Governance Framework in Nigeria
Since her political independence from the British government in 1960, Nigeria has gone through different phases in the effort to develop the corporate sector. The intention was to drive the economy through corporate enterprises; however, the absence of effective corporate governance structure and conducive investment environment has no doubt been a source of concern for investors and successive governments. Meticulously researched and organized, this book takes the global view on corporate governance to provide insight into the corporate governance conundrum in Nigeria. Against the background of international standard, Author, Olusola A. Akinpelu proposes a number of reforms to the existing ...
Ahmadu Fulani
Ahmadu Fulani: An African Poetry is a poetry volume in English, Yoruba and Hausa, celebrating the memory of the poet's father and speaking to the lessons the poet learned from his father as a child. The volume addresses issues of national and international significance, human and environmental rights, and speaks against injustice no matter who the oppressed or the oppressors are or where they come from. Ahmadu Fulani is a book of performance poetry, exploring oral performance traditions of Ilorin and Sokoto cultures, from Yoruba and Hausa-Fulani traditions of Nigeria and West Africa. From memorial contours, to social inquiry, to praise and mobilization poems, readers would need to perform the poems in order to realize their full meanings and literary aesthetics. A person can perform this poetry alone at home, or with others in the classroom or at the market square. Even the poems that do not have refrains can be read with performance flavor. As in his first volume, Almajiri, Na'Allah continues the invocation of street poetry tradition of the Nigerian street beggars, oral singers, and children and adults selling goods and services and chanting poetry on the Nigerian streets.
