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Young Aidan Martin's life is about to change forever. A powerful and true story of trauma, addiction, recovery and hope in the working-class town of Livingston, Scotland. A gripping read from beginning to end.
In most cases of civil engineering development, a range of alternative schemes meeting project goals are feasible, so some form of evaluation must be carried out to select the most appropriate to take forward. Evaluation criteria usually include the economic, environmental and social contexts of a project as well as the engineering challenges, so engineers must be familiar with the processes and tools used. The second edition of Engineering Project Appraisal equips students with the understanding and analytical tools to carry out effective appraisals of alternative development schemes, using both economic and non-economic criteria. The building blocks of economic appraisal are covered early,...
'A smart and pacy debut' Irish Times ‘One is struck by its mordant wit and fierce intelligence’ Martin W. Sandler, National Book Award-winning author and historian 'A cracker read about morality and ethics in a time of conflict . . . A really accessible way of getting into complex stuff on nation-building and justice' Claire Hanna, MP for Belfast South 1920, the Irish War of Independence. Amid the turmoil of an emerging nation, two young IRA members assigned to police a rural village discover the body of a young boy, apparently drowned. One of them, a veteran of the First World War, recognises violence when he sees it – but does one more corpse really matter in this time of bitter conflict? The reluctant detectives must navigate the vicious bloodshed, murky allegiances and savage complexities of a land defining itself to find justice for the murdered boy. Neither of them realises just how dangerous their task will become.
‘Dark, gritty and compelling, this will have you turning the pages until the early hours of the morning.’ - The Independent ‘Fierce, funny and flint-sharp. Joseph Knox is the true grit of Brit noir’ - Cara Hunter ________ ‘He said he didn’t remember killing them...’ Detective Aidan Waits sits on an abandoned hospital ward, watching a mass murderer slowly die. He has just one job: to extract the location of Martin Wick’s final victim before the notorious mass murderer passes away. Wick has spent over a decade in prison, in near-total silence, having confessed to an unspeakable crime that shocked the nation and earned him the name The Sleepwalker. Wick’s whispered confession will send Waits on a journey into a dark world of lies and revenge on both sides of the law ... but can you ever trust a murderer's dying words? ___ Readers are obsessed with The Sleepwalker: ***** ‘So addictive and gripping. I literally couldn’t but it down.’ ***** ‘I read in one breathless sitting . . . it’s hard to tell who the real villains are.’ ***** ‘It hooked me from the first page. Aidan Waits is a perfect anti-hero.’
"Approaching 30 and disillusioned with life in Glasgow, I sold everything I had and left for a new life in a remote fishing village in Japan. I knew nothing of the language or the new land that I would call home for the next seven years."
A Student Edition of McDonagh's dramatic engagement with Republican paramilitaries, first produced by the RSC in 2000.
The recent rise to prominence of renewable energy and energy efficiency has been driven by their potential to lower the environmental impacts of energy use. As these technologies mature they must demonstrate not only their environmental benefits, but also their economic competitiveness. The relative costs and benefits of each potential project, whether large or small, must be systematically modelled and assessed before they can be financed and implemented. Renewable Energy and Energy Efficiency: Assessment of Projects and Policies deals with the appraisal of such projects against financial and non-financial criteria, illustrating the assessment tools necessary to make appropriate, evidence b...
In The Melancholy of Anatomy, his ninth collection of poetry, Martin Corless-Smith turns his attention towards ageing and mortality, and in particular to the death of his father. Shifting between formal verse and prose, from the metaphysical to the whimsical, from surreal to anecdotal, the book moves between poetic articulations as a mind might through memories, sifting to find anything to hold on to as everything flows and falls away. At times melancholic at times nihilistic at times luminous and dark, this collection asks questions about poetry, memory and what it is to have loved and lived. Praise for The Fool and The Bee: "Corless-Smith has an extraordinary eye for detail and this meticu...
'A smart alec New York cocaine dealer discovers there's a hit out on him and decides the best course of action is to take bloody - and amusingly creative - revenge' Sun Get mad, get even, get paid. What kind of loser stops at getting even? Didi's dead. That's sad. Jack Price isn't sad, because Jack doesn't care about Didi. Jack is just angry, because if anyone was going to brutally murder his bad-tempered old neighbour, it was him. But when Jack takes matters into his own hands, he gets a contract taken out on him by an internationally renowned terrorist organisation. Which frankly seems overkill. Jack's just your average high-class coke dealer, after all. On a level playing field against a team of professional killers, he wouldn't stand a chance. But Jack Price doesn't play fair. And Jack Price is going to make these guys pay. 'The Price You Pay is brilliant, a latticework of barbed jokes and subtle observations and inventive misbehaviours, a high-end thriller, relentlessly knowing, relentlessly brutal. It reads like Martin Amis on mescaline' New York Times
Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.