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Compelling, moving, and beautifully written, the interlinked stories that make up We Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day "Little Saigon" in Southern California---exploring the reverberations of the Vietnam War in a completely new light. Intersecting the lives of eight characters across three decades and two continents, these stories dramatize the events of Operation Babylift, the U.S.-led evacuation of thousands of Vietnamese orphans to America just weeks before the fall of Saigon. Unwitting reminders of the war, these children were considered bui doi, the dust of life, and faced an uncertain, dangerous existence if left behind in Vietnam...
Crossing distinct literatures, histories, and politics, Giving Form to an Asian and Latinx America reveals the intertwined story of contemporary Asian Americans and Latinxs through a shared literary aesthetic. Their transfictional literature creates expansive imagined worlds in which distinct stories coexist, offering artistic shape to their linked political and economic struggles. Long Le-Khac explores the work of writers such as Sandra Cisneros, Karen Tei Yamashita, Junot Díaz, and Aimee Phan. He shows how their fictions capture the uneven economic opportunities of the post–civil rights era, the Cold War as it exploded across Asia and Latin America, and the Asian and Latin American labo...
Biography of Aimee Phan, currently Writer at St. Martin's Press, previously Associate Professor, Writing and Literature at California College of the Arts and Associate Professor, Writing and Literature at California College of the Arts.
The legacy and memory of wartime South Vietnam through the eyes of Vietnamese refugees In 1975, South Vietnam fell to communism, marking a stunning conclusion to the Vietnam War. Although this former ally of the United States has vanished from the world map, Long T. Bui maintains that its memory endures for refugees with a strong attachment to this ghost country. Blending ethnography with oral history, archival research, and cultural analysis, Returns of War considers Returns of War argues that Vietnamization--as Richard Nixon termed it in 1969--and the end of South Vietnam signals more than an example of flawed American military strategy, but a larger allegory of power, providing cover for ...
In Reenactments, poet Hai-Dang Phan explores the history, memory, and legacy of the Vietnam War from his vantage point as a second-generation Vietnamese American. Woven throughout the poems is a narrative of his family’s exodus from Vietnam that beautifully elucidates the American record of immigration, dislocation, inheritance, and ultimately hope. The poems are persuasively varied in their approach. The past and present, the remembered and imagined, all intersect at shifting angles, providing bold new perspectives. And, in a fresh move, Phan widens the lens, interspersing translations of several other contemporary Vietnamese poems to the mix. This subtle and moving debut is an important addition to the literature of immigration.
The legal texts and aspirational ideals of human rights are usually understood and applied in a global context with little bearing on the legal discourse, domestic political struggles, or social justice concerns within the United States. In Writing Human Rights, Crystal Parikh uses the international human rights regime to read works by contemporary American writers of color—Toni Morrison, Chang-rae Lee, Ana Castillo, Aimee Phan, and others—to explore the conditions under which new norms, more capacious formulations of rights, and alternative kinds of political communities emerge. Parikh contends that unlike humanitarianism, which views its objects as victims, human rights provide avenues...
From the award-winning author of Perfume Dreams, a collection of thirteen short stories following Vietnamese immigrants new to the United States. The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America’s newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past—memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity—is ever present in these wise and compassionate stories. It plays itself out in surprising ways in the lives of people who thought they had moved bey...
"The book is informed by the Vietnamese immigrations of the nineteen–seventies but is filled with social observation of contemporary middle–class culture and indie sensibility . . . Quietly beautiful, Strom's stories are hip without being ironic." —The New Yorker When The Gentle Order of Girls and Boys was first published in 2006, it was groundbreaking in its depiction of contemporary young Vietnamese women living in the United States, centering their ordinary lives as mothers, lovers, friends, and daughters against the backdrop of immigration and assimilation. Available now for the first time in paperback and featuring an introduction by Isabelle Thuy Pelaud and a new preface by the author, The Gentle Order of Girls and Boys is a beautifully written, psychologically astute foray into the rite of female passage.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In a world increasingly shaped by displacement and migration, refuge is both a coveted right and an elusive promise for millions. While conventionally understood as legal protection, it also transcends judicial definitions. In Lived Refuge, Vinh Nguyen reconceptualizes refuge as an ongoing affective experience and lived relation rather than a fixed category with legitimacy derived from the state. Focusing on Southeast Asian diasporas in the wake of the Vietnam War, Nguyen examines three affective experiences—gratitude, resentment, and resilience—to reveal the actively lived dimensions of refuge. Through multifaceted analyses of literary and cultural productions, Nguyen argues that the meaning of refuge emerges from how displaced people negotiate the kinds of safety and protection that are offered to (and withheld from) them. In so doing, he lays the framework for an original and compelling understanding of contemporary refugee subjectivity.
“An absolutely gorgeous historical novel . . . set against the backdrop of a tribe in the Andamans struggling with British rule . . . Just magnificent.” —Caroline Leavitt, New York Times bestselling author of Pictures of You One of Booklist’s Top Ten Historical Fiction Books of 2020 Glorious Boy is a tale of war and devotion, longing and loss, and the power of love to prevail. Set in India’s remote Andaman Islands before and during WWII, the story revolves around a mysteriously mute four-year-old who vanishes on the eve of the Japanese occupation. Little Ty’s parents, Shep and Claire, will go to any lengths to rescue him, but neither is prepared for the brutal and soul-changing o...