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A vengeful rebel... Forced to live in hiding after his family is assassinated, Prince Callum of Embury leads the rebellion to restore his family to the throne. Knowing only grief and revenge, Callum searches for a chance to destroy the king and rebuild his alliances. A protective princess... For Princess Zara of L’Ortagia service to her people comes first, while hiding her magical abilities. When the queen commands her to wed the Emburian heir, Zara flees the night before the ceremony—ready to aid the rebels, protect her country from a madman, and discover whether the dashing man who helps her escape is truly who he says he is. Two passionate hearts... On the run from the king’s forces, Callum and Zara form a fragile alliance while fighting a growing attraction. Torn between their allegiances and their passion, they find solace in each other. But can the magical princess and the rebel prince find a way to build a kingdom together?
Princess Sidony of L'Ortagia serves as the queen's hostess, leaving affairs of state to her sister Zara. During a masquerade ball, Sidony kisses a handsome stranger only to discover he's Prince Adrian of Embury, a man with a fearsome reputation and the emissary sent to arrange her sister's marriage. Worried her actions will damage the budding alliance, she convinces Adrian to forget the incident...even if she cannot. Adrian roots out traitors in his uncle's kingdom of Embury using his magical abilities. When he's sent to arrange a wedding for his cousin, a kiss in the moonlight gives him a taste of what he's been missing. Sidony is everything his life is not: laughter, warmth, and passion. B...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
IF THE BOOKMOBILE’S ROCKING . . . Constance Chen is not the demure kind of librarian. Sure, her high-horsepower ride is Big Bertha the Bookmobile, but Con swears a blue streak, does her own home improvement, and wears steel-toed boots. She has a tight circle of friends, a demanding, beloved sprawl of a Chinese-American family, and a strict hookups-only policy when it comes to men. Her life is just how she wants it. Except for one maddeningly sexy footnote. Sam Wolcott, her friend’s baby brother and the library’s IT star, has been throwing sparks with Con since he moved to town. To everybody else, he’s a thoughtful, sensitive sweetheart. To Con, he’s a cantankerous pedant, because i...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.
The Insectile and the Deconstruction of the Non/Human defines, conceptualizes, and evaluates the insectile—pertaining to an entomological fascination—in relation to subject formation. The book is driven by a central dynamic between form and formlessness, further staging an investigation of the phenomenon of fascination using Lacanian psychoanalysis, suggesting that the psychodrama of subject formation plays itself out entomologically. The book’s engagement with the insectile—its enactments, cultural dreamwork, fantasy transformations—‘in-forming’ the so-called human subject undertakes a broader deconstruction of said subject and demonstrates the foundational but occluded role o...
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.