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No Guts, No Heart, No Glory
We are sick of it, being ignored We are sick of it, being indoors No Guts, No Heart, No Glory explores being young, fearless and doing the unexpected. Working closely with five 16-22-year-old Muslim women and former National Champion boxer Ambreen Sadiq. This play represents a young Muslim female experience of life in the UK. It speaks to young people and will make them feel braver and encourage them to live how they want to live, so that they are free and confident to make their own choices tomorrow. 'Common Wealth are an award-winning, Bradford-based company who make site-specific theatre events that are political and contemporary – based in the present day – the here and now. Our idea...
Towards Embodied Performance
Towards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance. Through historical context, the author’s 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work. Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based on text analysis and character wants and needs, and the “auteur” director, whose work might focus on visual spectacle at the expense of text or c...
The Best of News Design, 35th Edition
The Best of News Design 35th Edition is the latest edition of Rockport's highly respected series. It features the best-of-the-best in news design of various kinds.
Contemporary British Muslim Arts and Cultural Production
This unique collaboration between scholars, practitioners and Muslim artists profiles emerging forms of contemporary British Muslim art, prompting a debate about its purpose and its inclusion in UK society. It features analysis of Muslim art as a category, as well as reflective accounts of people working in theatre, popular music, the heritage sector and ancient and modern visual arts, often at the margins of the British arts industry. Dealing with sociological and theological themes as well as art history and practice, the volume provides a timely intervention on a neglected topic. The collection discusses diverse topics including how second- and third-generation British Muslims, as part of a broader generational shift, have reworked Sufi music and traditional calligraphy and fused them with new musical and artistic styles, from Grime to comic book art, alongside consideration of the experiences of Muslim artists who work in the theatre, museums and the performing arts sectors. It is a must-read for students and researchers of theology and religious studies, Islamic studies, fine art, cultural studies and ethnic and racial studies.
Women and Migration(s) II
Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experie...
Aisha
This is the highly acclaimed novel which marked the debut of Ahdaf Soueif in 1983. She has since gone on to write In the Eye of the Sun and Sandpiper.
The Color Black
In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined—and interchangeable—in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
Untethered
Winner of the 2022 ASA/HQ Fiction Prize. A finely observed debut novel of a young Muslim woman's experience of immigration to Australia from Sri Lankan-Australian writer Ayesha Inoon. Zia secretly longs to go to university but as a young woman in a traditional Muslim family, she does what is expected of her and agrees to an arranged marriage to Rashid, a man she barely knows. Cocooned by the wealth and customs of her family, Rashid's dark moods create only the smallest of ripples in their early life together. When growing political unrest spurs them to leave Sri Lanka and immigrate to Australia, Zia is torn between fear of leaving her beloved family and the possibility of new freedoms. While...
Theses on Iqbal
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