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Alain Bublex
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Alain Bublex
Alain Bublex était designer automobile avant sa première exposition, en 1992, qui fit de lui un artiste. Sa pensée originale sur le paysage, la ville, l'architecture ou encore l'art et le design s'appuie sur des moyens et des méthodes variés. Schémas, plans, dessins, maquettes, constructions, installations, sites internet, conférences, films se succèdent et accompagnent la photographie qui apparaît sous toutes ses formes et constitue la base de son travail. Depuis Glooscap, la ville imaginaire, au Plan Voisin de Paris ou à Plug-in City (2000) prolongeant les grandes réflexions sur l'urbanisme du XXe siècle, des Aérofiats à Habiter 2050 (au Centre Pompidou), le travail d'Alain B...
Image & Imagination
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
A Japanese Afternoon
Published along with exhibitions by contemporary artist Alain Bublex on the Mauvoisin Dam at the Musée de Bagnes in Le Châble, this book reproduces 30 photographs taken during the winter of 2015/2016 in Val de Bagnes, Switzerland, and the region of Hida, Gifu Prefecture, Japan. Most depict snow-covered alpine scenes dulled by thickly overcast skies. The architecture and vegetation are strikingly similar. Yet the keen observer will notice some images are not entirely what they seem. Bublex has almost imperceptibly inserted objects that could conceivably be present into the shrouded vistas. Among these are the iconic Matterhorn, Mount Fuji, and a submarine.
Fundamental Trends in City Development
The Reinvented City reflects on externity, the principal feature of a reinvented city. Three basic trends of the city are investigated; "discomposed", "generic" and "segregated" phenomena with the loss of the city as a space of social interaction and communication. Important questions are posed: What is the true public sphere in contemporary societies? What is the contemporary public space corresponding to it? In what way can the city project construct contemporary public space?
L'Art Français et Francophone depuis 1980 / Contemporary French and Francophone Art
Ce volume présente vingt-trois essais consacrés à l'art français et francophone des vingt-cinq dernières années et propose des analyses critiques d'une cinquantaine d'artistes majeurs qui travaillent sur des modes richement variés. The volume offers 23 new critical essays on contemporary French and francophone art, dealing with some fifty major artists working in a wide range of mediums.
The Share of Perspective
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the for...
Dictionary of Artists: Bedeschini - Bülow
First English-language edition of Emmanuel Bénézit's Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs, based on the 14-volume French edition published in 1999. It has been revised, adapted and updated.--Preface.
Contemporary Photography in France
This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.
