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As You Like it
  • Language: en
  • Pages: 257

As You Like it

As You Like It is one of Shakespeare's finest romantic comedies, variously lyrical, melancholy, satiric, comic and absurd. Its highly implausible plot generates a profusion of love-lorn men, a resourceful heroine in disguise, sexual ambiguity, melancholy philosophising and finally a multiplicity of marriages.

As You Like It: The Oxford Shakespeare
  • Language: en
  • Pages: 256

As You Like It: The Oxford Shakespeare

  • Type: Book
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  • Published: 2008-05-08
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  • Publisher: OUP Oxford

As You Like It is Shakespeare's most light-hearted comedy, and its witty heroine Rosalind has his longest female role. In this edition, Alan Brissenden reassesses both its textual and performance history, showing how interpretations have changed since the first recorded production in 1740. He examines Shakespeare's sources and elucidates the central themes of love, pastoral, and doubleness. Detailed annotations investigate the allusive and often bawdy language, enabling student, actor, and director to savour the humour and the seriousness of the play to the full. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

As You Like It
  • Language: en
  • Pages: 208

As You Like It

This edition of As You Like It is an annotated text with detailed notes on the play from different angles. It has a general introduction by the series editor and an introduction to the play by the editor of the book, marking the place of the play in Shakespeare s dramatic career. There is also a detailed summary of each scene at the beginning of each scene so that the student will get a clear idea of the development of the plot structure. There is also an elaborate discussion of the different strands of thought and ideas in the play in the introduction. There are line references, explanations and commentary which will enable the student to master the play. Cross-references which have been added on at all relevant points give the student a holistic view of the play. There is a list of further reading and a list of topics for discussion at the end of the edition.

Shakespeare's Theatre
  • Language: en
  • Pages: 590

Shakespeare's Theatre

  • Type: Book
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  • Published: 2004-01-01
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  • Publisher: A&C Black

Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>

Souls with Longing
  • Language: en
  • Pages: 344

Souls with Longing

The works of William Shakespeare vividly represent for our admiration and study a pageant of souls with longing in whose wake we ceaselessly follow. Through some of his most memorable characters, Shakespeare illuminates the nature and character—as well as consequences—of our distinctively human passions and ambition, in particular our desire for and pursuit of both honor and love. The contributors to this collaborative volume (scholars in English Literature, Political Philosophy, and the Humanities) argue that Shakespeare has much to teach us about our longing for honor and love in particular, and thus about who we are, what we desire, and why. Through sustained reflection on the Shakespearean portraits of honor and love, which are the focus of the chapters in Souls With Longing, we become more keenly aware of our own humanity and come to know ourselves more profoundly. As the abiding popularity of his works aptly demonstrates, Shakespeare’s unforgettable portraits of souls with longing—his representations of honor and love—continue to exert undeniable sway over our political, moral, and romantic imaginations.

Food in Shakespeare
  • Language: en
  • Pages: 177

Food in Shakespeare

  • Type: Book
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  • Published: 2016-04-15
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  • Publisher: Routledge

A study of common and exotic food in Shakespeare's plays, this is the first book to explore early modern English dietary literature to understand better the significance of food in Shakespearean drama. Food in Shakespeare provides for modern readers and audiences an historically accurate account of the range of, and conflicts between, contemporary ideas that informed the representations of food in the plays. It also focuses on the social and moral implications of familiar and strange foodstuff in Shakespeare's works. This new approach provides substantial fresh readings of Hamlet, Macbeth, As you Like It, The Winter's Tale, Henry IV Parts 1 and 2, Henry V, Titus Andronicus, Coriolanus, Peric...

The Winter's Tale
  • Language: en
  • Pages: 308

The Winter's Tale

A newly edited edition of The Winter?'s Tale, with a detailed introduction and full commentary.

Shakespeare’s As You Like It
  • Language: en
  • Pages: 212

Shakespeare’s As You Like It

  • Type: Book
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  • Published: 2008-02-04
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  • Publisher: Springer

This book is a study of As You Like It , which shows how the play represents issues of interest to literate playgoers of its time, as well as speculatively to Shakespeare himself.

Every Man Out of His Humour
  • Language: en
  • Pages: 418

Every Man Out of His Humour

Jonson's Every Man Out of His Humour is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.

Textual Formations and Reformations
  • Language: en
  • Pages: 324

Textual Formations and Reformations

This volume analyzes the development of textual theory and practice in the twentieth century, questioning not just the assumptions and methodologies of textual study but the very genesis of textual study and current definitions of the field. Each contributor tackles a specific theoretical or practical issue in essays that cover feminist practice, editorial procedure, political ideology, practical dramaturgy, and sixteenth- and twentieth-century history. The result is a volume at once wide-ranging and detailed, of interest and value to cultural historians as well as to textual scholars.