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Norman MacCaig
Norman MacCaig, who died in 1996, is widely regarded as Scotland's finest contemporary poet, whose later poetry is both accessible and popular. This perceptive study places him in his literary and social contexts and conveys the vigorous intelligence, pithy humour and surprise that characterizes his writing. Approaching the poetry thematically rather than sequentially the author gives a vivid impression of the whole poet and offers both an introduction to and an analysis of MacCaig's major poems with helpful connecting commentary. Throughout this study Alasdair Macrae allows the sharp wit, intelligence and humaneness of the poems to speak to readers and shock, delight and challenge them.
W.B. Yeats
This is not a straightforward biography but rather an attempt to describe and examine Yeats as a phenomenon, partly shaped by forces and movements around him and partly shaping the public events of his time. His position in literary, political and cultural matters is detailed and the book offers, through the study of Yeats, an introduction to the fashions of ideas between the late nineteenth and early twentieth centuries.
The Waste Land
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The Waste Land
Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
T.S. Eliot
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Yeats Annual No. 13
Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats's theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as 'Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9', Yeats's relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.
Selected Poems from Opened Ground
Building on the formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. The notes enable students to appreciate contrasting interpretations of the text and to develop their own critical thinking. Key features include: study methods; an introduction to the text; summaries with critical notes; themes and techniques; textual analysis of key passages; author biography; historical and literary background; modern and historical critical approaches; chronology; and glossary of literary terms.
Politics and the Rhetoric of Poetry
The rich and varied nature of twentieth-century Anglo-Irish and Irish poetry is reflected in the essays presented in Politics and the Rhetoric of Poetry: Perspectives on Modern Anglo-Irish Poetry. The linguistic and theoretical observations formulated in close readings of apparently non-political texts disclose implied political positions and suggest to what extent rhetoric and the nature of language are at the root of such questions as how should we read contemporary poetry. How can poems play a part in the resolution of the political and historic conflict? Nuala Ní Dhomhnaill's versions of The Táin, Brendan Kennelly's Cromwell, Paul Muldoon's Madoc and Ciaran Carson's Belfast Confetti ar...
Percy Bysshe Shelley
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