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Alban Berg
Adorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.
Alban Berg
Alban Berg: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Alban Berg
Alban Berg: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Alban Berg
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Alban Berg
This is the first detailed assessment of Berg, the man and composer, in any language. Its greater part is devoted to a critical analysis of Berg's music and to a thorough appraisal of the achievements of Arnold Schoenberg and its two chief disciples. But it is also a comprehensive biography of the man, Alban Berg, and much additional biographical matter is included in the analytical portions of the book. In two long chapters, the author discusses the operas, Wozzeck and Lulu, at length, using musical examples and hitherto unpublished letters. The chapter on Lulu contains the first detailed analysis of Act 3, which was completed in short score but not completely orchestrated and which remains unperformed to this day. Works which have been neglected by musicologists so far, such as the Altenberg songs, the Storm Lieder and the Chamber Concerto, are fully analyzed as such in the development of serial composition.
Pro Mundo - Pro Domo
Pro Mundo - Pro Domo: The Writings of Alban Berg contains new English translations of the complete writings of the Viennese composer Alban Berg (1885-1935) and extensive commentaries tracing the history of each essay and its connection to musical culture of the early twentieth century. Berg is now recognized as a classic composer of the modern period, best known for his operas Wozzeck and Lulu. Berg, Anton Webern, and their teacher Arnold Schoenberg constitute the "Second Viennese School," which played a major role in the transformation of serious music as it entered the modern period. Berg was an avid and skillful writer. His essays include analytic studies of compositions by Schoenberg, po...
Alban Berg and His World
An incisive new look at the pivotal modernist composer Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and cul...
The Music of Alban Berg
Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.
Lulu
This book is a guide to Berg's second opera, Lulu, written in non-technical language and intended for those students and music lovers wishing to become familiar with one of the masterpieces of twentieth-century music. Jarman presents a clear and concise introduction to the musical language and to the intricate musical and dramatic structure of Berg's opera. The volume also examines the literary background, the genesis, composition, and tortuous posthumous career of the work. The final chapters survey the performance history and suggest a possible interpretation of this complex and challenging composition. An important feature of the book is the inclusion of source documents and critical responses to the opera. Illustrated with photographs from the premiere and from recent productions, the volume also includes a synopsis, bibliography, and discography.
