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Ogdoas, written by Alberto Alfieri around the early part of the 15th century, is a manuscript of eight Latin dialogues which take place between the souls of deceased members of the Visconti and Adorno families in the afterlife; the only extant manuscript is in Milan's Biblioteca Ambrosiana.
A radical re-interpretation of the chivalric biography of Boucicaut.
Reproduction of the original: The Owl Taxi by Hulbert Footner
Director F.W. Murnau's Nosferatu: A Symphony of Horror, made in 1921, right after the devastating Spanish Flu pandemic, has become the ultimate cult classic among horror film buffs around the world. For years there was much speculation about the production background, the filmmakers, and their star, the German actor Max Schreck. This book tells the complete story drawing on rare sources. This book tells the complete story, drawing on rare sources. The trail leads to a group of occultists with a plan to establish a leading film company that would produce a momentous series of horror movies. Along the way, the author touches upon other classic German fantasy silents, such as The Golem, The Cabinet of Dr. Caligari and Metropolis.
Marcia Colish is one of the most influential scholars of the history of medieval and early modern thought, the author of numerous books and scores of articles in the field, as well as a pioneering President of the Medieval Academy of America. This volume honours her accomplishments with papers by her many colleagues, friends, and former students, who are themselves prominent scholars from across a range of disciplines. The chapters are diverse chronologically and topically, yet they are all stimulated by themes that Prof. Colish has explored during her long and distinguished career. They address the richness of European intellectual history between the twelfth and the sixteenth centuries, treating the multiple heritages of philosophy, theology, political theory, historiography, classical reception, and many other subjects to which her scholarship extends. The volume demonstrates the power of ideas in the development of European history generally, revealing that the careful study of the works of the 'mind' does indeed 'matter'.
Ten essays by eminent scholars in Renaissance studies to celebrate the work of Robert Black. These essays analyze education, humanism, political thought, printing, and the visual arts during this key period in their development.
The history of the Black Sea as a source of Mediterranean slaves stretches from ancient Greek colonies to human trafficking networks in the present day. At its height during the fourteenth and early fifteenth centuries, the Black Sea slave trade was not the sole source of Mediterranean slaves; Genoese, Venetian, and Egyptian merchants bought captives taken in conflicts throughout the region, from North Africa, sub-Saharan Africa, the Balkans, and the Aegean Sea. Yet the trade in Black Sea slaves provided merchants with profit and prestige; states with military recruits, tax revenue, and diplomatic influence; and households with the service of women, men, and children. Even though Genoa, Veni...
This is the story of one of the most significant examples of human rights litigation in the U.S., presented as a documentary history. The pleadings and documents appear with minimal editing and are supplemented through commentary.
This essay collection studies the Apocalypse and the end of the world, as these themes occupied the minds of biblical scholars, theologians, and ordinary people in Antiquity, the Middle Ages, and Early Modernity. It opens with an innovative series of studies on “Gendering the Apocalypse,” devoted to the texts and contexts of the apocalyptic through the lens of gender. A second section of essays studies the more traditional problem of “Apocalyptic Theory and Exegesis,” with a focus on authors such as Augustine of Hippo and Joachim of Fiore. A final series of essays extends the thematic scope to “The Eschaton in Political, Liturgical, and Literary Contexts.” In these essays, scholars of history, theology, and literature create a dialogue that considers how fear of the end of the world, among the most pervasive emotions in human experience, underlies a great part of Western cultural production.