Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Alejo Carpentier and His Early Works
Published by Boydell & Brewer Inc.
Alejo Carpentier
Alejo Carpentier was one of the greatest Latin American novelists of the twentieth century, as well as a musicologist, journalist, cultural promoter, and diplomat. His fictional world issues from an encyclopedic knowledge of the history, art, music, and literature of Latin America and Europe. Carpentier’s novels and stories are the enabling discourse of today’s Latin American narrative, and his interpretation of Latin American history has been among the most influential. Carpentier was the first to provide a comprehensive view of Caribbean history that centered on the contribution of Africans, above and beyond the differences created by European cultures and languages. Alejo Carpentier: ...
Alejo Carpentier
Product information not available.
War of Time
None
Alejo Carpentier and the Musical Text
Widely known for his novels El reino de este mundo and Los pasos perdidos, the Swiss-born Cuban writer Alejo Carpentier incorporated music in his fiction extensively, for instance in titles, in analogies with musical forms, in scenes depicting performances, recordings and broadcasts, and in characters’ discussions of musical issues. Chornik’s study focuses on Carpentier’s writings from a musicological perspective, bridging intermediality and intertextuality through an examination of music as formative, as form, and as performed. The emphasis lies on the novels Los pasos perdidos, El acoso, Concierto barroco and La consagración de la primavera, and on his unknown essay Los orígenes de la música y la música primitiva, the repository of ideas for Los pasos perdidos, included here for the first time as facsimile and in English translation. Chornik’s study will appeal to scholars and students in literary studies, cultural studies, musicology and ethnomusicology, and to a specifically interdisciplinary readership.
Reasons of State
One of the most significant novels in Latin American literature, written by Cuba's most important modern novelist—to win a bet with Gabriel Garcia Marquez. In the early 1970s, friends Gabriel García Márquez, Augusto Roa Bastos and Alejo Carpentier reached a joint decision: they would each write a novel about the dictatorships then wreaking misery in Latin America. García Márquez went on to write The Autumn of the Patriarch and Roa Bastos I, the Supreme. The third novel in this remarkable trinity is Reasons of State, hailed as the most significant novel ever to come out of Cuba. As with Garcia Marquez, Reasons of State is a bold story, boldly told --- daring in its perceptions, rich in ...
Carpentier's Proustian Fiction
Critical study of Cuban novelist and Proust's influence on selected works.
Alejo Carpentier and the Musical Text
Widely known for his novelsEl reino de este mundo (The Kingdom of this World) and Los pasos perdidos (The Lost Steps), the Swiss-born Cuban writer Alejo Carpentier (1904-1980) incorporated music in his fiction extensively, for instance in titles, in analogies with musical forms, in scenes depicting performances, recordings and broadcasts, and in characters' discussions of musical issues. Chornik's study focuses on Carpentier's writings from a musicological perspective, bridging intermediality and intertextuality through an examination of music as formative, as form, and as performed. The emphasis lies on the novelsLos pasos perdidos, El acoso (The Chase),Concierto barroco (Baroque Concerto) andLa consagracion de la primavera (The Rite of Spring), and on his unknown essayLos origenes de la musica y la musica primitiva (The Origins of Music and Primitive Music), the repository of ideas forLos pasos perdidos, included here for the first time as facsimile and in English translation. Chornik's study will appeal to scholars and students in literary studies, cultural studies, musicology and ethnomusicology, and to a specifically interdisciplinary readership.
Music in Cuba
Originally published in 1946 and never before available in English. Music in Cuba is not only the best and most extensive study of Cuban musical history, it is a work of literature. Drawing on such primary documents as church circulars and mustical scores. Carpentier encompasses European-style elite Cuban music as well as the popular rural Spanish folk and urban Afro-Cuban music. Perhaps Cubas most important twentieth-century intellectual. Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, and an influential theorist of politics and literature. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution. Book jacket.
