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Easternsports
Longtime friends and first-time collaborators Alex Da Corte (born 1980) and Jayson Musson (born 1977) created a major new commission for ICA Philadelphia in 2014. Nearly two and a half hours in length, this in-the-round video installation was scripted by Jayson Musson, directed by Alex Da Corte, and scored by composer Devonté Hynes. Easternsports is an amorality tale for the digital age. Both deadly serious and heartbreakingly flippant, it embraces Gap commercials and grand jury rulings, middle-class aspirations and global imperialism. And it transforms a decade-long conversation between Musson and Da Corte into a work awash in the neon glow of their American milieu.
Rubber Pencil Devil
I believe I am in Hell, therefore I am."0?Arthur Rimbaud, Night in Hell00Rubber Pencil Devil is the fourth book in an ongoing series of flipbooks cataloging Da Corte's fifty-seven part film, Rubber Pencil Devil (2018).0The flipbook features an essay by Jamillah James for A Season in He?ll, curated by Jamillah James at Art + Practice, Los Angeles, in collaboration with the Hammer Museum, July 9 ? September 16, 2016.
A Man Full of Trouble
Philadelphia-based Alex Da Corte's (born 1980) new publication takes its name from the pre-Revolutionary tavern that stands in the heart of Philadelphia's historic district. Using the "privy," an archeological pit located near the A Man Full of Trouble tavern, as inspiration, Da Corte presents the world within such a portal; a place where memories, objects, past and present aggregate and reconstitute.
C-A-T Spells Murder
Artist Alex Da Corte (born 1980) worked with writer and artist Sam McKinness to compile this book of 24 stories and fictional essays on the themes of the Telephone, Paranoia, Romance in the Night, Suburbia, the Moon, Superstitions, Ghosts and Monsters. The writers for the book include Jia Tolentino, Francesca Gavin, Collier Schorr, George Pendle and David Rimanelli.
Alex Da Corte
A generously illustrated book on the dynamic work of neo-pop artist Alex Da Corte, whose immersive installations and provocative objects seamlessly blend high and low culture as they explore themes of love, sex, family, death, and desire. For his largest solo museum exhibition, Alex Da Corte takes over all of MASS MoCA’s second-floor galleries, presenting a selection of existing works and an expansive new sculptural installation inspired by Arthur Rimbaud’s prose poem "A Season in Hell." Restaging past exhibitions and remixing examples from multiple bodies of work in a fresh narrative, the artist presents his bold output in a sumptuous environment that transforms the museum space. Carpet...
Alex Da Corte: the Whale
Drawing on pop-culture archetypes and commercial materials, Da Corte's foam, shampoo and glass paintings receive their first dedicated museum survey and publication Merging modernist color theory and Postminimalist spatial experiments with the crowded, beautiful trash-scape of contemporary culture, Alex Da Corte (born 1980) addresses sexuality, invisible labor, taste, power and desire. While most previous showcases have focused on Da Corte's installations, The Whaleis the first exhibition to survey his rich and eccentric relationship with painting over the past decade. As is to be expected with his irreverent approach, Da Corte paints with both traditional and unconventional materials. His Shampoo Paintingsare created with drugstore hair products, while his Puffy Paintingsconsist of upholstered neoprene. Other works include his reverse paintings on glass, most commonly used in celluloid animation and commercial sign-making. Many of these paintings are published in book form for the first time, accompanied by Da Corte's "Voice Memos" that elucidate his creative process. This book was published in conjunction with Modern Art Museum of Fort Worth
Alex Da Corte
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Alex Da Corte: Mr. Remember
"A great and unlikely success story, Da Corte creates funny and therapeutic works in the hope of easing the 'exquisite pain' of modern life." -New York Times This comprehensive monograph celebrates the acclaimed Philadelphia-based installation artist Alex Da Corte (born 1980), famed for his show-stopping 2021 Roof Garden Commission for the Met, As Long as the Sun Lasts. Da Corte's Day-Glo works are distinctly rooted in traditional American arts and culture--tellingly, as a teenager he planned to become an animator for Disney--and the artist himself often appears in his films, impersonating iconic figures such as Popeye, the Statue of Liberty, Fred Rogers or Eminem. Throughout, the pop flavor...
Alex Da Corte. True Life
Eminem as emblem of America throughout Alex Da Corte's oeuvre This book exhaustively documents Philadelphia-based installation artist Alex Da Corte's (born 1980) preoccupation with the musician Eminem across four exhibitions. From Detroit to Cologne, from an artist-run space to a major international museum, Da Corte's work parallels Eminem's career through his thirties, reappearing, evolving alongside America, explaining more of himself each time. Eminem's place in culture and his role in Da Corte's practice, as well as the larger story of American identity, is explored through recent and commissioned essays by Hilton Als, Charlie Fox, William Pym, Martine Syms and Moritz Wesseler, as well as manipulated found texts and an extensive Q&A with Danish filmmaker Jørgen Leth, whose 1982 work Andy Warhol Eating a Hamburger strongly informs the discussion. True Life is both an uncompromising reference book and a work of fantasy.
Alex Da Corte: Marigolds
Alex Da Corte's foam wall pieces celebrate the zest and color of cartoon aesthetics Published for Alex Da Corte's (born 1981) 2019 solo exhibition with Karma Gallery, this volume features the eponymous short story by Eugenia Collier, as well as two newly commissioned texts by writer Tausif Noor and animator and historian John Canemaker.
