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A Dangerous Journey
Each year, readers, writers, and critics alike look forward to Thomas Hauser’s newest collection of articles about the contemporary boxing scene. Reviewing his 2018 collection, Booklist proclaimed, “This is Hauser in a nutshell: compassion, character, and context. As always, an annual delight.” A Dangerous Journey continues Hauser’s tradition of excellence, turning his award-winning investigative reporting skills on the scandal surrounding the use of illegal performance enhancing drugs and the failures of corrupt and incompetent state athletic commissions. Hauser also takes readers into Canelo Alvarez’s dressing room in the hours before and after his rematch against Gennady Golovkin, the biggest fight of the year, and offers in-depth portraits of boxing’s biggest stars—past and present—as well as reflections on fight-related curiosities ranging from Ronda Rousey to David and Goliath. Thirty-five years ago, Hauser began writing about boxing with his superb The Black Lights, which has long been regarded as a boxing classic. He only gets better.
A Culloden Chronicle
This narrative traces Broad Cove/Culloden from the Loyalists’ arrival until the present century. The hamlet shares with many rocky coastal Nova Scotia settlements the experiences of the fisheries’ heydays and their demise, with all Nova Scotians: the arrival of the Scots and the Irish; effects of national and international events; the Great Depression; recovery and prosperity. Oral and written accounts paint both a colorful and a sensitive picture of Culloden’s past. A 1967 Centennial history enumerates villagers for a century and a 2005 visual history brings them and their world to life.
Carry A. Nation
Carry A. NationRetelling the Life Fran Grace The story of one of America's most notorious and misunderstood women. Carry Nation was 54 when she "smashed" her first saloon, but her life before she started her infamous hatchet crusade has been little known until now. In this first scholarly biography of Nation, Fran Grace unfolds a story that often contrasts with the image of Nation as "Crazy Carry," a bellicose, blue-nosed, man-hating killjoy. Using newly available archival materials and placing Nation in her various historical and cultural contexts, Grace "retells" the crusader's tumultuous life. Brought up in antebellum Kentucky, Nation lived through the devastation of the Civil War and end...
Nipper
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Nineteenth-Century Women’s Movements and the Bible
Nineteenth-Century Women’s Movements and the Bible examines politically motivated women’s movements in the nineteenth century, including the legal, cultural, and ecclesiastical contexts of women. Focusing on the period beginning with the French Revolution in 1789 through the end of World War I in 1918, contributors explore the many ways that women’s lives were limited in both the public and domestic spheres. Essays consider the social, political, biblical, and theological factors that resulted in a multinational raising of awareness and emancipation for women in the nineteenth century and the strengthening of their international networks. The contributors include Angela Berlis, Kristin Kobes Du Mez, Ute Gerhard, Christiana de Groot, Arnfriður Guðmundsdóttir, Izaak J. de Hulster, Elisabeth Joris, Christine Lienemann-Perrin, Amanda Russell-Jones, Claudia Setzer, Aud V. Tønnessen, Adriana Valerio, and Royce M. Victor.
The British Boxing Film
This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.
Asiatic Journal and Monthly Register for British India and Its Dependencies
Contains "verbatim reports of Debates at the East-India house, taken in shorthand for these pages". -- cf. v. 1, p. iii.
