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This dissertation presents the history of space in the musical thought of the 20th century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.
Since the middle/ end of 1993 I have been grappling intensively with questions about our existence. This book is the result of my long-term study, with which I have tried to inspect our current worldview - the materialistic worldview. It shows that the sciences have come up with answers that question their own assumptions and ideas about this world. E.g. the world-famous physicist Stephen W. Hawking said that it is not really possible for physics to clarify whether the material world is a real world. According to the latest findings in physics, the material world can also be an imaginary world. I'm investigating this question in detail and come to the conclusion that we need a new worldview. This is the spiritual worldview. This new worldview clearly states that there is a non-material spirit that is responsible for the material world. What this means for each and every one of us is revealed in this study.
In this book, the author develops a relational concept of space that encompasses social structure, the material world of objects and bodies, and the symbolic dimension of the social world. Löw’s guiding principle is the assumption that space emerges in the interplay between objects, structures and actions. Based on a critical discussion of classic theories of space, Löw develops a new dynamic theory of space that accounts for the relational context in which space is constituted. This innovative view on the interdependency of material, social, and symbolic dimensions of space also permits a new perspective on architecture and urban development.
In the past fifteen years, Henri Lefebvre’s reputation has catapulted into the stratosphere, and he is now considered an equal to some of the greats of European social theory (Bourdieu, Deleuze, Harvey). In particular, his work has revitalized urban studies, geography and planning via concepts like; the social production of space, the right to the city, everyday life, and global urbanization. Lefebvre’s massive body of work has generated two main schools of thought: one that is political economic, and another that is more culturally oriented and poststructuralist in tone. Space, Difference, and Everyday Life merges these two schools of thought into a unified Lefebvrian approach to contemporary urban issues and the nature of our spatialized social structures.
This book presents William Clifford’s English translation of Bernhard Riemann’s classic text together with detailed mathematical, historical and philosophical commentary. The basic concepts and ideas, as well as their mathematical background, are provided, putting Riemann’s reasoning into the more general and systematic perspective achieved by later mathematicians and physicists (including Helmholtz, Ricci, Weyl, and Einstein) on the basis of his seminal ideas. Following a historical introduction that positions Riemann’s work in the context of his times, the history of the concept of space in philosophy, physics and mathematics is systematically presented. A subsequent chapter on the reception and influence of the text accompanies the reader from Riemann’s times to contemporary research. Not only mathematicians and historians of the mathematical sciences, but also readers from other disciplines or those with an interest in physics or philosophy will find this work both appealing and insightful.
First Published in 1992. This book is about space of a colony and how it was produced. It began as a study of the literature of the German colony of South-West Africa between the years 1884 and 1915. The author’s aim is to demonstrate the active role which literature had played in structuring the experience of the colony. If it could be shown that literature not only describes, but also helps to structure the forms of experience, then it would follow that it also plays an important role in structuring the experience of colonization, and hence the form of the colony itself. From the outset, therefore, the study was concerned with a number of issues centering around colonization, representation, experience, and social form, where spatiality is the concept which allows us to understand how these various aspects of colonialism interrelate.
"In this book, Gabor Csepregi describes in detail the nature and scope of the body's innate abilities and reflects on their significance in human life."--BOOK JACKET.
Screen-based media, such as touch-screens, navigation systems and virtual reality applications merge images and operations. They turn viewing first and foremost into using and reflect the turn towards an active role of the image in guiding a user’s action and perception. From professional environments to everyday life multiple configurations of screens organise working routines, structure interaction, and situate users in space both within and beyond the boundaries of the screen. This volume examines the linking of screen, space, and operation in fields such as remote navigation, architecture, medicine, interface design, and film production asking how the interaction with and through screens structures their users’ action and perception.
J. J. White reexamines the use of myth in fiction in order to bring a new terminological precision into the field. While concentrating on the German novel (Mann, Broch, and Nossack), he discusses the work of Alberto Moravia, John Bowen, Michel Butor, and Macdonald Harris as well, in order to show the modern predilection for myth in whatever national literature. Throughout his discussion, Mr. White delineates carefully his specific subject: the novel in which mythological motifs are used to prefigure events and character—Joyce's Ulysses is, of course, the archetypal novel in this tradition. Setting forth his terms, and making clear his use of them, Mr. White then analyzes the wide appeal of...