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Winner of the 2009 Lexi Rudnitsky First Book Prize in Poetry. Drawing on sources as varied as ESL classroom discussions, a colonial travelogue, and the Dungeons & Dragons Player’s Handbook, Alexandra Teague explores how language alternately empowers and fails us in this smart, searching, and accessible debut.
New poems that showcase high-art and popular culture, vamps and giant artichoke statues, and Freudian Disney dolls in a poignant exploration of cultural and personal legacies. This heartrending and darkly playful new collection by Alexandra Teague tries to understand the edges of self in a patriarchal culture and in relation to a family history of mental illness and loss. In poems that mix high art and popular culture (from classical Greek statues to giant plaster artichokes, Cubism to Freudian Disney dolls), Teague interweaves self-reflection with the stories and lives of mythic and historic female figures, such as the dangerous-wise witch Baba Yaga and early-20th-century sculptors’ model Audrey Munson--calling across time and place to explore desire, grief, and the representation and misrepresentation of the female form.
"Alexandra Teague's fourth collection of poems deepens her ongoing inquiry into American optimism, disillusionment, and violence"--
Echoing novels like Karen Russell's Swamplandia! and Carol Rifka Brunt's Tell the Wolves I'm Home, Alexandra Teague's lighthearted coming-of-age debut is perfect for anyone who's navigated the strange seas of adolescence--and lived to tell the tale. A.Z. McKinney is on the shores of greatness. Now all she needs is a boat. When the Sea of Santiago appeared overnight in a cow pasture in Arkansas, it seemed, to some, a religious miracle. But to high school sophomore A.Z. McKinney, it's marked her chance to make history--as its first oceanographer. All she needs is to get out on the water. Her plan is easier said than done, considering the Sea's eccentric owner is only interested in its use as a...
A powerful call to end American gun violence from celebrated poets and those most impacted Focused intensively on the crisis of gun violence in America, this volume brings together poems by dozens of our best-known poets, including Billy Collins, Patricia Smith, Natalie Diaz, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey, Robert Hass, Naomi Shihab Nye, Juan Felipe Herrera, Mark Doty, Rita Dove, and Yusef Komunyakaa. Each poem is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize laureate Jody Williams; Senator Christopher Murphy; Moms Demand Action founder Shannon Watts; survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings; and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis. The result is a stunning collection of poems and prose that speaks directly to the heart and a persuasive and moving testament to the urgent need for gun control.
In Spinning Tea Cups: A Mythical American Memoir, Alexandra Teague explores cycles of family trauma and both the dangerous and recuperative powers of fantasy. Teague attempts to understand and contextualize her "feral Victorian" family in terms of trauma and mental health, but also with deep love and humor. How did people who prided themselves on making everything from scratch take annual trips to Disney World? What did it mean that Teague's mother claimed to have psychic abilities? How did her sensitive youngest nephew end up talking in a voice that wasn't his own? Why did Teague, the daughter of educated non-conformist parents, marry as a teenager (with her parents' blessing) and spend sev...
Award-winning poet David Wagoner and renowned editor David Lehman present the 2009 edition of Best American Poetry—"a ‘best’ anthology that really lives up to its title" (Chicago Tribune). Eagerly anticipated by scholars, students, readers, and poets alike, Scribner’s Best American Poetry series has achieved brand-name status in the literary world, serving as a yearly guide to who’s who in American poetry. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Working in conjunction with series editor David Lehman, Wagoner brings his refreshing eye to this year’s anthology. With...
Karyn McKinney uses written autobiographies solicited from young white people to empirically analyze the contours of the white experience in U.S. society. This text offers a unique view of whiteness based on the rich data provided by whites themselves, writing about what it means to be white.
Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.
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