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The Myth of the Masters Revived
This book examines the lives of the famous Russian painter, thinker, and mystic Nikolai Roerich and his wife, Elena Roerich, the “mother” of Agni Yoga esoteric teaching. Extensively researched, it focuses on the couple’s spiritual quest, resulting in their gradual transformation under the influence of theosophy, spiritualism and Elena’s psychic “fiery experience” into mystics and gurus who fashioned their new version of the “myth of the Masters,” the invisible guides of humanity. Special attention is given to N. Roerich’s travels in Central Asia and Far East, his cultural and public activities and particularly his Buddho-Communist utopia. The myth of the Masters revived will appeal to those interested in New Age esotericism, mysticism, and Russian thought in the first half of the 20th century.
Soviet Russia and Tibet
"Soviet Russia and Tibet" surveys for the first time the entire history of religious and political relations between Russia and Tibet, from the 17th to the late 20th century, focusing on Soviet attempts to win Lhasa over in the 1920s.
Pilgrims and Travellers in Search of the Holy
"Papers ... delivered at an international symposium entitled "Pilgrims and travellers in search of the holy" convened in Helsinki in 2008"--Introd.
Modernism and the Spiritual in Russian Art
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of ess...
Proceedings of the Tenth Seminar of the IATS, 2003. Volume 13: Art in Tibet
This volume deals with specific issues related to Tibetan art, ranging from the earliest Buddhist buildings in central, southern and eastern geocultural Tibet up to the artistic traditions flourishing in the 20th century. The papers are arranged following the chronology of the sites or the themes taken into consideration in the first part and logical criteria in the latter part. Illustrated with numerous black-and-white pictures and 32 pages of colour plates, its contents are of special interest to scholars and specialists, while a large part is accessible to non-specialists, too, which makes the book useful also to university students interested in the subject as well as amateurs of Tibetan art.
The Tibetans
This book provides a clear and comprehensive introduction to Tibet, its culture and history. A clear and comprehensive overview of Tibet, its culture and history. Responds to current interest in Tibet due to continuing publicity about Chinese rule and growing interest in Tibetan Buddhism. Explains recent events within the context of Tibetan history. Situates Tibet in relation to other Asian civilizations through the ages. Draws on the most recent scholarly and archaeological research. Introduces Tibetan culture – particularly social institutions, religious and political traditions, the arts and medical lore. An epilogue considers the fragile position of Tibetan civilization in the modern world.
Asiatic Russia
Although the Russian Empire has traditionally been viewed as a European borderland, most of its territory was actually situated in Asia. Imperial power was huge but often suffered from a lack of enough information and resources to rule its culturally diverse subjects, and asymmetric relations between state and society combined with flexible strategies of local actors sometimes produced unexpected results. In Asiatic Russia, an international team of scholars explores the interactions between power and people in Central Asia, Siberia, the Volga-Urals, and the Caucasus from the 18th to the early 20th centuries, drawing on a wealth of Russian archival materials and Turkic, Persian, and Tibetan s...
Proceedings of the Tenth Seminar of the IATS, 2003. Volume 13: Art in Tibet
The papers in this volume discuss issues related to Tibetan art from the 7th the 20th century, dealing with relevant religious and historical sources, religious painting and iconography, medical iconography, painting materials and schools, metalwork, ritual objects, photographic records, artists.
From Conflict to Conciliation
In the long and chequered annals of the land of the Lama, the twentieth century was a period of considerable turmoil. To start with, the maturity into adulthood of the 13th Dalai Lama (1895) was not a little unusual. Again, not unlike the Great Fifth, he too proved his mettle and survived both a British assault under Younghusband (1904) as well as that of China's Ch'ing rulers (1910-11). Sadly, his strongarm methods soon drove the 9th Panchen into exile - and the arms of the Guomindang regime. Their gap proved hard to bridge and the Lamas died (1933, 1937), virtually unreconciled. Unhappily for their land, the new incarnations too were ranged in opposite camps: the 14th DL, his own master; t...
