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The End of Modernism
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Lowitja
'This profoundly moving story is beautifully told by Rintoul without sentimentality . . . [but] with sympathy, truthfulness and restraint. In Rintoul, Lowitja O'Donoghue has found the biographer she (and we) deserve.' - Robert Manne, Sydney Morning Herald I am sometimes identified as one of the 'success stories' of the policies of removal of Aboriginal children. But for much of my childhood I was deeply unhappy. I feel I had been deprived of love and the ability to love in return. Like Lily, my mother, I felt totally powerless. And I think this is where the seeds of my commitment to human rights and social justice were sown. - Lowitja O'Donoghue Lowitja O'Donoghue is a truly great Australian...
Journal of The Senate of the Twenty-Seventh General Assembly of the State of Illinois
Reprint of the original, first published in 1872.
