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Collected Plays Three
Alfian Sa’at explores the Malay identity and racial relations in this third volume of the Collected Plays series. This volume collects plays written and staged in Malay, and translated to English for the very first time. In Nadirah, a young woman is shocked to find out her mother wants to marry a non-Muslim. In Parah, a group of students can no longer ignore the stereotypes and prejudices that divide the races, and the strain it puts on their friendship. In Geng Rebut Cabinet (GRC), we’re transported to an alternate reality where the Chinese are the minority in Singapore. And in Your Sister’s Husband, five sisters try their hardest to reckon with their superstitious, old-fashioned eldest to farcical ends, raising questions about black sheep, outcasts and sociopaths.
Projek Thriller : Vape
Definisi Rokok elektronik atau vape terdiri daripada beberapa bahagian utama iaitu bateri, atomizer dan penyedut serta e-liquid. Kemunculan semula vape menimbulkan satu fenomena baru dalam industri rokok. Wujud tanda tanya dalam kalangan masyarakat akan keselamatan, kesihatan seterusnya menyebabkan gejala sosial berleluasa tanpa sekatan. Namun begitu, kesahihan mengenai kesan vape ini masih lagi menjadi persoalan sehingga wujud pelbagai spekulasi di dunia vape itu sendiri. 1 ) Nyamuk Seekor nyamuk ingin melawan seekor naga? Mampukah? Kata-kata itu terus berlegar dalam kotak fikirannya. Wirna menarik nafas panjang. Ya... tak mungkin seekor nyamuk mampu melawan seekor naga.- Zaifuzaman Ahmad 2...
Reading the Malay World
This collection of essays is the culmination of a symposium on the representation of Malays and Malay culture in Singaporean and Malaysian literature in English held in Universiti Putra Malaysia.
Hotel
A hotel in Singapore is opened at the turn of the century, when the island is still a jewel in the crown of the British Empire. Each day, new faces appear and swiftly disappear – guests and staff alike. Every ten years, we check in to meet the hotel’s residents: a Cantonese nanny, an Indian spiritualist, a Malay film star, Japanese soldiers, transgender sex workers, wedding guests, suspected terrorists, and more. They live out the pivotal moments in their personal lives, as empires die and new ones are born from their ashes. Even though the chambermaids clean up after them, readying the room for the next guests, traces of the past persist, and time reveals its cyclical nature. Ghosts com...
Muslims and Matriarchs
Muslims and Matriarchs is a history of an unusual, probably heretical, and ultimately resilient cultural system. The Minangkabau culture of West Sumatra, Indonesia, is well known as the world's largest matrilineal culture; Minangkabau people are also Muslim and famous for their piety. In this book, Jeffrey Hadler examines the changing ideas of home and family in Minangkabau from the late eighteenth century to the 1930s. Minangkabau has experienced a sustained and sometimes violent debate between Muslim reformists and preservers of indigenous culture. During a protracted and bloody civil war of the early nineteenth century, neo-Wahhabi reformists sought to replace the matriarchate with a soci...
The Postcolonial Short Story
This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.
Drama Box and the Social Theatre of Singapore
This pioneering study provides an essential guide to the formative years of Drama Box, a leading Chinese-language theatre company in Singapore. How Wee Ng presents a compelling narrative of how Drama Box has emerged as a prominent force in the field of theatre for social intervention, effectively amplifying the voices of marginalised communities and establishing itself as a foremost advocate of cutting-edge, socially oriented artistic practice. Ng’s in-depth analysis of Drama Box’s most influential works during this pivotal period, and his meticulous examination of the social, political, and economic contexts of their productions, illuminate the remarkable balance the company has achieved in its engagement with government policy, censorship, and financial imperatives, while fiercely defending its artistic autonomy. As well as unveiling the remarkable history of Drama Box, the book offers readers a unique lens through which to understand the complex relationship between the arts and state authority, and the broader socio-cultural and political landscape of contemporary Singapore.
