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A record of the visit of the Duke of Edinburgh to the Australian colonies.
Prince Alfred, who was created Duke of Edinburgh in 1866 and became Duke of Saxe-Coburg Gotha in 1893, was the second son of Queen Victoria and Prince Albert. A patron of the arts, pioneer philatelist and amateur violinist, he joined the Royal Navy as a boy and rose to become Admiral of the Fleet. At the age of 18 he was elected King of Greece by overwhelming popular vote in a plebiscite, although political agreements between the Great Powers of Europe prevented him from accepting the vacant crown. The most widely travelled member of his family, he had visited all five continents by the age of 27, and while on a tour of Australia in 1868 he narrowly escaped assassination at the hands of a Fenian sympathiser. Married to Grand Duchess Marie of Russia, the only surviving daughter of Tsar Alexander II, at one stage he had to face the possibility that he might be required to fight on behalf of the British empire against that of his father-in-law. His last years were overshadowed by marital difficulties, alcoholism and ill-health, and the suicide of his only son and heir.
In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia...
Queen Victoria and Albert, Prince Consort had nine children who despite their very different characters, remained a close-knit family. Inevitably, as they married into European royal families their loyalties were divided and their lives dominated by political controversy. This is not only the story of their lives in terms of world impact, but also of their own personal achievements, their individual contributions to public life in Britain and overseas and in their roles as the children of Queen Victoria and the Prince Consort.
Sextants at Greenwich consists of two main sections: The introductory chapters and the catalogue of navigating instruments of the National Maritime Museum. The first section gives a general overview of the history of celestial navigation with an emphasis on the instruments that were developed and used for that purpose, between about 1450 and the 1970s. The instruments in the catalogue form the main thread in these chapters. The catalogue consists of 347 entries of instruments for celestial navigation, the octants, sextants and related instruments preserved in the National Maritime Museum. Each entry includes the place of the object's origin, its maker, the object's date, inscriptions (by the maker and/or relating to an owner), the graduated scale, the instrument's dimensions and a general description that includes details such as used materials and detached parts. Finally the object's provenance (previous owners and/or users) and references to literature on its history and handling are given.
Australian lives are intricately enmeshed with the world, bound by ties of allegiance and affinity, intellect and imagination. In Transnational Ties: Australian Lives in the World, an eclectic mix of scholars - historians, literary critics, and museologists - trace the flow of people that helped shape Australia's distinctive character and the flow of ideas that connected Australians to a global community of thought. It shows how biography, and the study of life stories, can contribute greatly to our understanding of such patterns of connection and explores how transnationalism can test biography's limits as an intellectual, professional and commercial practice.
A riveting biography that vividly captures the life and times of the last Victorian king. To his mother, Queen Victoria, he was "poor Bertie," to his wife he was "my dear little man," while the President of France called him "a great English king," and the German Kaiser condemned him as "an old peacock." King Edward VII was all these things and more, as Hibbert reveals in this captivating biography. Shedding new light on the scandals that peppered his life, Hibbert reveals Edward's dismal early years under Victoria's iron rule, his terror of boredom that led to a lively social life at home and abroad, and his eventual ascent to the throne at age 59. Edward is best remembered as the last Victorian king, the monarch who installed the office of Prime Minister.
The foundations of the British monarchy date from the era, more than a millennium ago, when Anglo-Saxon, Celtic, and Viking peoples competed for dominance. Early sovereigns exercised near-absolute power but over time that authority dwindled as the changing role of women, the democratization of society, dynastic intermarriage, financial demands, religious convictions, struggles for economic and political control, and territorial aggrandizement combined to promote change. The strengths and weaknesses of rulers such as William the Conqueror, Henry VIII, Elizabeth I, and Mary, Queen of Scots, and Queen Elizabeth also contributed to the evolution of the monarchy and are documented here. Historical Dictionary of the British Monarchy, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries that cover significant events, places, institutions, and other aspects of British culture, economics, politics, and society. This book is an excellent resource for students, researchers, and anyone wanting to know more about the British monarchy.
The Collection of the National Portrait Gallery, London, embraces over 500 years of British history, more than 60,000 sitters and explores ideas of social change, power and influence. Arguably as powerful and influential as any individual are the heads of state and empire, whose portraits are among the most popular in the Gallery_s Collection. For the exhibition that accompanies this book, the portraits of kings, queens, statesmen and stateswomen featured will go on tour for the first time, providing international audiences with the opportunity to encounter these famous historical and contemporary personalities face to face. The publication traces major events in British history and examines...