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The Life and Art of Alfred Hutty
Mack, and a catalogue of known prints by Hutty.
A Golden Haze of Memory
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the a...
Dubose Heyward
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Alfred Hutty and the Charleston Renaissance
Alfred Hutty was one of the founding members of the Charleston Etchers Club in 1923, a time when etchings were used by printmakers to celebrate the essence of the Holy City. Hutty captures the facets of Charleston life. Featured are approximately sixty scenes of the Low Country in etchings, pencil drawings, and drypoint.
The South on Paper
Explores forty-four southern artists and eighty of their works.
A Southern Collection
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous ...
Renaissance in Charleston
"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.
Charleston in My Time
"Through the oils of [West Fraser's] mature style ... he has achieved a level of spontaneity in the plein air tradition that captures the essence of the lowcountry." So concludes the essay by Angela D. Mack that leads everyone from connoisseurs to those who simply enjoy the artistic images of the South Carolina lowcountry into a visual feast to stir the senses. The first book of its kind dedicated to the work of this plein air impressionist, Charleston in My Time: The Paintings of West Fraser celebrates the passion and independence West Fraser exhibits in his work, his amazing eye for natural light and landscapes, and his love of Charleston and the lowcountry.
A Bluestocking in Charleston
In early 20th-century Charleston, Laura Bragg was called a woman ahead of her time, a fresh drink of water in a cultural desert, but never a proper Southern lady. This biography tells the story of the woman who changed the cultural face of Charleston and the nation's approach to museum education.
Huguenot Church in Charleston, The
Discover the history and heritage of the last Huguenot Church in America and national landmark located in Charleston, South Carolina. The Huguenot heritage in the United States cannot be overstated. In the latter part of the sixteenth century, France was plunged into a series of religious wars. In 1589, Henry of Navarre became Henry IV of France, but peace was not achieved until he issued the Edict of Nantes in 1598, which recognized the Huguenots' right to worship in the towns they controlled. While Henry IV lived, the financial and military security of the country was ensured. After his assassination in 1610, it ceased. Religious persecution resumed, and in 1685, Louis XIV revoked the Edict of Nantes, and many French Protestants fled. Of the estimated 180,000 Huguenot refugees, approximately 3,000 crossed the Atlantic. This book is about their descendants and their influence on the development of the American republic and the rights enshrined in the U.S. Constitution. The Huguenot Church in Charleston, a national landmark, is the last Huguenot church in America.
