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The family and descendants of Col. James Martin (1742-1834) of Stokes County, North Carolina and his sister Martha [Martin] Rogers (1744-1825) of Rockingham County, North Carolina and Williamson & Montgomery Counties, Tennessee and the allied families of Henderson, Searcy, Hunter, Bradley, Alexander, Hughes, Dearing and Scales.
What baseball player had more hits than Babe Ruth, a better batting average than Willie Mays, a better slugging average than Ty Cobb, and more bases on balls than Stan Musial? This is the inspirational story of Melvin Thomas Ott, who at the strapping age of sixteen became a major league baseball player under the tutelage of the legendary manager of the New York Giants, John McGraw. Beyond the statistical record of this truly great baseball player, this book focuses on Mel Ott's personal life, his strong family ties, and the contributions which he made to the game of baseball. This volume is enhanced by intimate contact with the Ott family, particularly his daughters Lyn and Barbara, both of whom contributed to the story.
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Barksdale Chronicles in America, Volume I is the first published book by Maj Robert A. Groves. His research into his maternal ancestors began at the millennium due, in large part, to the colorful family stories he recalled his mother and her siblings sharing during his childhood. Family chronicles define and preserve the contributions of ancestors to their families and communities. Through a study of our roots, we gain an appreciation of what helped shape us as individuals and citizens. This edition captures but a small part of the Barksdale family as it starts out in the New World. As followed through the lineage of John Hickerson Barksdale, early ancestors began forging a life for themselv...
Even after a rise in gay and Black representation and production on TV in the 1990s, the sitcom became a "generic closet," restricting Black gay characters with narrative tropes. Drawing from 20 interviews with credited episode writers, key show-runners, and Black gay men, The Generic Closet situates Black-cast sitcoms as a unique genre that uses Black gay characters in service of the series' heterosexual main cast. Alfred L. Martin, Jr., argues that the Black community is considered to be antigay due to misrepresentation by shows that aired during the family viewing hour and that were written for the imagined, "traditional" Black family. Martin considers audience reception, industrial production practices, and authorship to unpack the claim that Black gay characters are written into Black-cast sitcoms such as Moesha, Good News, and Let's Stay Together in order to closet Black gayness. By exploring how systems of power produce ideologies about Black gayness, The Generic Closet deconstructs the concept of a monolithic Black audience and investigates whether this generic closet still exists.
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