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This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michaelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.
The aim of this series is to make available texts and collections of essays on major moral issues. The present volume is a collection that focuses exclusively on diverse moral issues connected with the arts: censorship and subsidy, authenticity and ownership, and the connections between moral and aesthetic values and evaluative judgments. The collection is not only unique, but timely. It appears in a period when the National Endowment for the Arts is under fire and the government’s role in the arts is a hotly debated political issue, when the connection between moral or political content in art and its aesthetic value remains at the forefront of debate in aesthetics, and when ownership and commercialization of artworks continue to exercise the sociology of art.
Spoon River Anthology by Edgar Lee Masters, is a compilation of brief free verse poems that jointly narrate the epitaphs of the inhabitants of Spoon River, a fictional small town.
Includes appendices.
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
This volume describes and reproduces 379 drawings by Italian artists of the seventeenth century in The Metropolitan Museum of Art. The most brilliant draughtsmen of this period--Annibale Carracci, G.B. Castiglione, Pietro da Cortona, Guercino, Carlo Maratti, and Salvator Rosa--are well represented in the Museum's collection, and the book offers a survey of Italian baroque draughtsmanship. It includes innovative work by Carracci, as well as drawings by such late baroque masters as Sebastiano Ricci and Francesco Solimena. Four hundred five illustrations are contained in this inventory. Entries for the drawings provide essential bibliographical references, provenance, and a discussion of the purpose of the drawing when known. -- Inside jacket flap.
About the disciple known as Doubting Thomas, everyone knows at least this much: he stuck his finger into the risen Jesus’ wounds. Or did he? A fresh look at the Gospel of John reveals how little we may really understand about this most perplexing of biblical figures, and how much we might learn from the strange twists and turns Thomas’s story has taken over time. From the New Testament, Glenn W. Most traces Thomas’s permutations through the centuries: as Gnostic saint, missionary to India, paragon of Christian orthodoxy, hero of skepticism, and negative example of doubt, blasphemy, stupidity, and violence. Rife with paradoxes and tensions, these creative transformations at the hands of...