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Recreates thye life of the ninth-century English king, scholar, warrior and lawmaker.
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Many years in preparation, this first volume of Lang and Shannon's edition of Tennyson's correspondence lives up to all expectations. In a comprehensive introduction the editors present not only the biographical background, with vivid portrayals of the dramatis personae, but also the story of the manuscripts, the ones that were destroyed and the many that luckily survived. The Tennyson who emerges in this volume is not a serene or Olympian figure. He is moody, impulsive, often reckless, now full of camaraderie, now plagued by anxiety or resentment, deeply attached to close friends and family and uninterested in the social scene. His early life is unenviable: we see glimpses of the embittered...
Trick or treat? With nods to Tim Burton, Edward Gorey, and Neil Gaiman, this humorous picture book about a Victorian boy obsessed with monsters presents a dark and appealing world, created by debut author/illustrator Sam Streed. In the graveyard, between stone monuments for forgotten souls, lurks the Black Shuck. . . . Its one blood-red eye burns with an undying rage. After reading about the slimy Nixie, the angry Black Shuck, and the creepy Lantern Man in his beloved Book of Monsters, Alfred decides to invite the monsters to teatime with his crusty old aunty, who thinks monsters are an improper obsession for a respectable young boy.
Asser's Life of King Alfred, written in 893, is a revealing account of one of the greatest of medieval kings. Composed by a monk of St David's in Wales who became Bishop of Sherborne in Alfred's service and worked with him in his efforts to revive religion and learning in his kingdom, this life is among the earliest surviving royal biographies. It is an admiring account of King Alfred's life, written in absorbing detail - chronicling his battles against Viking invaders and his struggle to increase the strength and knowledge of his people, and to unite his people at a time of conflict, uncertainty and war.
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A progressive repertoire series designed to motivate students while allowing them to progress evenly and smoothly from the earliest classics toward intermediate literature. These pieces are from the standard classical literature, chosen to appeal both to teacher and student. Each volume comes with a corresponding CD. PIanist Kim O'Reilly Newman holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Music. Kim is a brain tumor survivor and now specializes in performing music for the left hand.
Why is Alfred "the Great?" A simple answer is that he has been seen as a man who saved England, invented English identity and pioneered English as a written language. He is the first Englishman for whom a biography survives, so we know more about Alfred and his ideals than we do for most people who lived over 1,000 years ago. A slightly longer answer would say that things are a bit more complicated, and that one reason Alfred seems to be so "great" was that he made sure we were told that he was. To get the measure of Alfred we need to look at what he actually managed to achieve. Can we resurrect the "real" King Alfred? Even if we have to part company with some of the Victorian adulation, we are still left with a pretty impressive and surprising person.