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The Essence of Jargon
A poet, translator, and co-editor (of the letters of her late husband, Situationist Guy Debord) who has written extensively on the etymology and history of European slang, Alice Becker-Ho examines argot as a form of self-defense from the State, a code for people who survived outside the law. "In slang, loan words are above all borrowings of one dangerous class from another; that these loan words, confirmed in different slangs, go back to common sources, themselves blended initially into a sort of melting pot before being redistributed via a host of different routes ."
An English Translation of Les Princes Du Jargon
This groundbreaking comparative study of dangerous-class slangs in use across ten countries, from Europe to the Americas, brings to light the common influences that have helped to shape them over the last five hundred years. (Facing French and English translation)
A Game of War
Guy Debord is known principally for being the chief instigator and theorist of the Situationist International and as the author of The Society of the Spectacle. His first volume of autobiography, Panegyric, revealed his interest in classical war theory as espoused by Clausewitz, and A Game of War was written in collaboration with his future wife Alice Becker-Ho. This is the first version of the book to include a game board and counters, which allow the game to be played according to the instructions enclosed.
The Spectacle of Disintegration
Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist...
Means Without End
In this critical rethinking of the categories of politics within a new sociopolitical and historical context, the distinguished political philosopher Giorgio Agamben builds on his previous work to address the status and nature of politics itself. Bringing politics face-to-face with its own failures of consciousness and consequence, Agamben frames his analysis in terms of clear contemporary relevance. He proposes, in his characteristically allusive and intriguing way, a politics of gesture--a politics of means without end.
IKMQ
Roger Farr's IKMQ consists of sixty–four brief passages – stories, descriptions, instructions, scenarios, formulae – each involving the characters represented by the letters I, K, M and Q. Various clues, suggested by the rules of grammar and syntax, hint at connections and continuities, and at narrative peaking out from behind the screen of action. But never mind the theory – enjoy the ride, as I, K, M and Q convert houses to commercial grow–ops, manufacture explosives, go all in on the flop, get up early to catch chinook, plan, build and sell subdivisions, conduct meetings according to Roberts, plot a prison break, score an all–important goal, get the door for the pizza delivery boy, and get on with transforming the world through their revolutionary action.
The Game of War
Since his death in 1994 (when he put a bullet through his heart in his lonely farmhouse) Guy Debord has been hailed as one of the key thinkers of the age. In Britain and the United States, his theories on the 'spectacle' of modern life were simultaneously hailed as deadly truths by underground subversives and accorded the highest academic prestige. In the same way, the Situationist International (SI), a volatile group of artists, revolutionaries and intellectuals which he led through the 1950s and 1960s, is considered to be the most important art movement since Dada and the Surrealists. Debord himself was a welter of contradictions, whose public life was entirely predicated upon the singlemi...
Correspondence
"This volume traces the dynamic first years of the Situationist International movement - a cultural avant-garde that continues to inspire new generations of artists, theorists, and writers more than half a century later. Debord's letters - published here for the first time in English - provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Circumstances, personalities, and ambitions all come into play as the group develops its strategy of anarchic, conceptual, but highly political "intervention."
Panegyric
Debord's audacious autobiography, here beautifully illustrated.
Guy Debord
This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition—not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.
