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Alice Marriott Remembered
In her large body of work that spanned more than half a century, Alice Marriott gave a wide audience fresh and lively accounts of the complex cultures of the Southwestern American Indian. Trained as an anthropologist/ethnologist, the first woman to graduate with a degree in that field from the University of Oklahoma, she coupled her scientific and creative writing skills to produce books that have become classics. Maria: The Potter of San Ildefonso, a definitive study of Pueblo Indian pottery making, has remained in print for sixty years. The memoirs that comprise this volume were written by Alice Marriott four years before her death in 1992, at the age of 82. They were her response to a request from Still Point Press for a full autobiography. Her frail health at the time—she was ill with Bell’s Palsy, blind in one eye, recovering from multiple fractures from falls—prevented her from writing more. Nevertheless, the pieces she did complete are delightful personal stories, told in that unique Marriott style, still engaging and humorous today.
Main Street Oklahoma
Oklahoma historian Angie Debo once observed that all the forces of United States history have come to bear in the development of the Sooner State. This collection of essays provides a series of snapshots reflecting both the singularity of the Oklahoma experience and the state’s connections to America’s broader history. Spanning the Civil War era and the present, this book develops historic themes as varied as the causes of Indian land dispossession, the Statehood Day wedding ceremony, the oil industry’s environmental impact, the Tulsa Race Riot, labor relations during the New Deal, the failure of the Equal Rights Amendment, the state’s unique Native artistic traditions, and its music...
Alice Marriott
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Shakespeare in the Nineteenth Century
An illustrated collection of new essays with valuable reference material on the performance and reception of Shakespeare's plays.
Hell on Horses and Women
Women in ranch life.
Their Own Frontier
Biographers describe the struggles and contributions of female scholars researching Indians of the American West in the early 1900s.
The Ten Grandmothers
Short stories and sketches of life among the Kiowa Indians.
The Biographical Dictionary of Women in Science: L-Z
Volume 2 of 2.
More Than Curiosities
Beginning in the 1920s anthropologists, traders, and other admirers of traditional Native American cultures--appalled by the degradation of fine crafts into tourist trinkets--began cultivating a fine-arts market for indigenous textiles, jewelry, ceramics, and basketry. In More Than Curiosities, Susan Labry Meyn explores how this grassroots revival led to the founding of the Indian Arts and Crafts Board in 1935. Meyn demonstrates how the Board and its activities--such as development and marketing of quality arts and crafts, targeted loan programs, and the creation of artisans' cooperatives--not only aided in the development of a source of sustained income for Native artists, but also were pivotal in overcoming the larger Euro-American indifference toward Native culture. Under the leadership of René d'Harnoncourt, the Board facilitated cross-cultural understanding and provided the mechanisms that allowed Native American artists to revive traditional practices and adapt them to an Anglo market. Meyn's novel study will become an invaluable contribution to scholars of the period, artists, and anyone interested in Native American studies.
Reflecting the Audience
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
