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I like you, I like you a lot is a personal work about family and the experience of death and mourning. It responds to the tragic loss of the photographer's 13-year-old brother Maks, who drowned while on a scout's trip in 2008 in Poland. The pictures reveal the sequence of events in the aftermath of the tragedy. Alicja Dobrucka's camera became a protecting shield from the brutal reality of a helpless situation. Maks and his friends were also first generation to grow up under an increasingly Westernised culture, and the camera witnesses how they were enthralled by Western - and especially American -archetypes.
During Albania's period under the rule of the Marxist-Leninist Enver Hoxha between 1945 and 1985, some 750,000 bunkers were constructed all over the Albanian landscape. All are rounded and mushroom-like in design, and remain as a legacy of Hoxha's fear-based isolationist policies. The book contains descriptions and photographs of variously located bunkers, as well as information relating to their potential for use today.
There are many holy cities in India, but Mumbai is not usually considered one of them. More popular images of the city capture the world’s collective imagination—as a Bollywood fantasia or a slumland dystopia. Yet for many, if not most, people who live in the city, the neighborhood streets are indeed shared with local gods and guardian spirits. In The Neighborhood of Gods, William Elison examines the link between territory and divinity in India’s most self-consciously modern city. In this densely settled environment, space is scarce, and anxiety about housing is pervasive. Consecrating space—first with impromptu displays and then, eventually, with full-blown temples and official reco...
I like you, I like you a lot is a personal work about family and the experience of death and mourning. It responds to the tragic loss of the photographer's 13-year-old brother Maks, who drowned while on a scout's trip in 2008 in Poland. The pictures reveal the sequence of events in the aftermath of the tragedy. Alicja Dobrucka's camera became a protecting shield from the brutal reality of a helpless situation. Maks and his friends were also first generation to grow up under an increasingly Westernised culture, and the camera witnesses how they were enthralled by Western - and especially American -archetypes.
In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945-1990) to commemorate the partisan victims, battles, and military units from the National Anti-Fascist Liberation War (which coincided with World War II), as well as historical figures from before the liberation and the accomplishments of socialism in Albania afterward.These lapidars, which can still be found, albeit in ever decreasing numbers, all over the...
Wer ein Betonhaus baut, denkt langfristig. Kein anderer Baustoff ist derart vielseitig und individuell anwendbar in Formgebung und Gestaltung bei gleichzeitig hervorragenden Materialeigenschaften. Dieses Buch präsentiert eine aktuelle Auswahl der 30 besten Einfamilienhäuser aus Beton im deutschsprachigen Raum. Was die ausgewählten Projekte verbindet, sind Ästhetik und Funktionalität des Entwurfs, energetische Vorteile, eine nachhaltige Planung und der Einsatz innovativer Fertigungstechniken. Ein reich bebildertes, informatives Buch für architekturbegeisterte Bauherren, und alle, die fasziniert sind von dem Baustoff, der sein Image des "unterkühlten Materials" längst abgelegt hat.
Il volume presenta il percorso di lavoro del gruppo di ricerca L’Acrobatica del morire sul tema della concezione della morte nella cultura contemporanea, a partire dalla pratica clinica dell’accompagnamento al morire nelle cure palliative. Esso raccoglie, con sguardo pienamente pluridisciplinare, i testi di medici palliativisti, filosofi, teologi, psicologi, psicoterapeuti, antropologi, storici dell’arte ed esperti in cultura visuale, che sono stati presentati in un ciclo di seminari realizzati nel contesto dell’esposizione personale del fotoreporter Gianni Cipriano Where Beauty Softens Your Grief a Palermo nel 2018.
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.