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Research informs the development of a project which, rather than defusing these characteristics, attempts to integrate them within the scene of a political struggle. The proposed project dramatizes, through its architecture, a Palestinian disobedience to the colonial legislation imposed on its legal territory. In fact, the State of Israel masters the elaboration of territorial and architectural colonial apparatuses that act directly on Palestinian daily lives. In this regard, it is crucial to observe that 63% of the West Bank is under total control of the Israeli Defense Forces in regards to security, movement, planning and construction. Weaponized Architecture is thus manifested as a Palestinian shelter, with an associated agricultural platform, which expresses its illegality through its architectural vocabulary.
The concept of Urban Protocol names a strategy concerning the condition of Athens today. It would serve as an experimental pseudo-methodology that faces the condition of the city. The Urban Protocols are meant to introduce legal temporary occupancies of the abandoned city center that will be accepted and controlled by a municipal authority; the purpose of an Urban Protocol would be to establish cluster-like micro-legislative constructions with communal functions. Urban Protocols are formed as systems of rules. Using a video game terminology we may say that the Urban Protocols are “play-tested” in the city, performed and improved via Internet. The system of rules they represent could be t...
The Social (Re)Production of Architecture brings the debates of the ‘right to the city’ into today’s context of ecological, economic and social crises. Building on the 1970s’ discussions about the ‘production of space’, which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of relations that are produced in the process. In the emerging post-capitalist era, this book addresses urgent social and ecological imperatives for change and opens up questions around architecture’s engagement with new forms of organization and practice. The book asks what (new) kinds of ‘social’ can architecture (re...
Retreat is a lexicon, or inventory of language, to describe the action of withdrawal from civic life. By creating a spatial approach to the language of “escape”, the publication attempts to widen the definitions of familiar terms such as safety, surveillance, and self-reliance. The lexicon draws attention to current global events, such as the thread of epidemic disease, climate catastrophe, the militarization of public space and the impact of mass surveillance on daily life, specifically the emotional and social impact of the presence of unknown and potentially life threatening elements. The editorial approach for the lexicon is to investigate the notion and practices of retreat, its str...
This book presents a series of pedagogical experiments translating climate science, environmental humanities, material research, ecological practices into the architectural curriculum. Balancing the science and humanities, it exposes recent pedagogical experiments from renown educators, while also interrogating a designer’s agency between science and speculation in the face of climate uncertainty. The teaching experiments are presented across four sections: Abstraction, Organization, Building, and Narrative, exposing core parts of an architect’s education and how educators can simultaneously provide fundamental skills and constructive literacy while instigating environmental sensibilitie...
Urban re-industrialisation could be seen as a method of increasing business effectiveness in the context of a politically stimulated 'green economy'; it could also be seen as a nostalgic mutation of a creative-class concept, focused on 3D printing, 'boutique manufacturing' and crafts. These two notions place urban re-industrialisation within the context of the current neoliberal economic regime and urban development based on property and land speculation. Could urban re-industrialisation be a more radical idea? Could urban re-industrialization be imagined as a progressive socio-political and economic project, aimed at creating an inclusive and democratic society based on cooperation and a sy...
How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.
This book provides an urgent framework and collective reflection on understanding ways to reconsider and recast architecture within ideas and politics of the commons and practices of commoning. Architecture from Public to Commons opens with Institutions the dialogue with the scales of the commons, the limits of language for fluid identities, the practices and challenges of architecture as an institution, the design of objects with apparent shared value in Chile, land protocols that explore alternatives to profit-seeking of property in New York, and spirited conversations about revolting against architectural labor from Latin America. Continuing chapters explore, under Territories, the bounda...
Ezidi people (Yezidi/Yazidi) and their culture suffered greatly at the hands of Daesh before, during, and after the 2014 Sinjar (Shingal) Genocide. Since the resulting forced migration, the Ezidi community as one of the most marginalised societies in the Middle East has undergone a significant amount of society-wide transformation. New avenues for agency have opened, and Shingali Ezidi women have taken these opportunities to express transformed identities, filling spaces previously unavailable, and altering “traditional” gender roles. This first extensive ethnographic work ever conducted with Ezidi women examines origins and developments of transformations in their female identity and agency. The analysis of their expressions and performances is particularly notable because of the subaltern position under numerous layers of minority, e.g. ethnicity, geography, religion, politics, culture, language, as well as gender. The aim of this study is to investigate the utilisation of subaltern identity to actualise agency among women after genocide.
A richly illustrated exploration of humanity’s drive to shape life as a spatial project, from Plato’s time to the digital era. Place is something real, but space is generally conceived as abstract and immaterial. In The Feeling of Space, Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and intimate; and the need for autonomy and belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our...