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An introduction to science and medicine during the earlier phrases of the scientific revolution.
Swiss-born physician and alchemist Paracelsus (1493–1541) and his disciples espoused a doctrine they proclaimed as a truly Christian interpretation of nature in chemistry. Drawing upon a mixture of ancient, medieval, and Renaissance sources, they developed a new philosophy that interpreted both macrocosmic and microcosmic events through the personal observations of the chemist and the Divine Grace of the Lord. Until the publication of this book, however, the breadth and vicissitudes of the Paracelsian approach to nature and medicine had been little studied. This volume spans more than a century, providing a rich record of the major interests of the Paracelsian and other chemical philosophers and the conflicts in which they engaged with their contemporaries. It examines chemistry and nature in the Renaissance, the Paracelsian debates, the theories of Robert Fludd, the Helmontian restatement of the chemical philosophy, and many other issues of this transitional era in the history of science. Enhanced with 36 black-and-white illustrations, this well-researched and compellingly related study will fascinate students of the history of science, chemistry, and medicine.
This volume, honoring the renowned historian of science, Allen G Debus, explores ideas of science - `experiences of nature' - from within a historiographical tradition that Debus has done much to define. As his work shows, the sciences do not develop exclusively as a result of a progressive and inexorable logic of discovery. A wide variety of extra-scientific factors, deriving from changing intellectual contexts and differing social millieus, play crucial roles in the overall development of scientific thought. These essays represent case studies in a broad range of scientific settings - from sixteenth-century astronomy and medicine, through nineteenth-century biology and mathematics, to the social sciences in the twentieth-century - that show the impact of both social settings and the cross-fertilization of ideas on the formation of science. Aimed at a general audience interested in the history of science, this book closes with Debus's personal perspective on the development of the field. Audience: This book will appeal especially to historians of science, of chemistry, and of medicine.
"This literary survey examines how paleoliterature originated, developed and matured from its inception to the present day. It follows trends on the crafting of classic dinosaurs, investigating the figurative and metaphoric meaning of fictional dinosaursand related prehistoria. An appendix provides brief summaries of deserving dinosaur texts, organized alphabetically by author. "--Provided by publisher.
The scientific revolution of the sixteenth and seventeenth centuries is normally characterised in terms of astronomy and the physics of motion. In The French Paracelsians, first published in 1992, Allen Debus narrates an important episode whose contribution to the scientific revolution has been largely ignored: the long-standing contention between Paracelsians and Galenists.
Bridging Traditions explores the connections between apparently different zones of comprehension and experience—magic and experiment, alchemy and mechanics, practical mathematics and geometrical mysticism, things earthy and heavenly, and especially science and medicine—by focusing on points of intersection among alchemy, chemistry, and Paracelsian medical philosophy. In exploring the varieties of natural knowledge in the early modern era, the authors pay tribute to the work of Allen Debus, whose own endeavors cleared the way for scholars to examine subjects that were once snubbed as suitable only to the refuse heap of the history of science.
This new book, greatly expanded from the 1995 first edition, describes detailed, step-by-step procedures for sculpting, molding and painting original prehistoric animals. It emphasizes the use of relatively inexpensive materials including oven-hardening polymer clay and wire. Additional tips are offered on how to build distinctive dino-dioramas and scenes involving one's own original sculptures that you will learn how to conceive and build. This book will appeal to a new generation who would like to break into the industry of paleosculpture. Techniques range from "basic" to "advanced." The authors also discuss what it means to be a "paleoartist."