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The Science and Passion of Communism presents the battles of the brilliant Italian communist Amadeo Bordiga in the revolutionary cycle of the post-WWI period, through his writings against reformism and war, for Soviet power and internationalism, and then against fascism, on one side, Stalinism and the degeneration of the International, on the other. Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come. Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
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Amadeo Bordiga (1899-1970) was an Italian Marxist theoretician, who played a major role in the ideological development of the post-1917 Socialist revolution. He is well known as one of the last Comintern members to criticize Stalin to his face and live to tell the tale, most notably referred to as "the gravedigger of the revolution" during a 1926 party conference. In Dialogue with Stalin, Bordiga carefully dissects the economic state of the USSR under Stalin, and lays forward the capitalist nature of the USSR.
Amadeo Bordiga (1889-1970) was the founder of the Communist Party of Italy, and was one of the leading voices against the Stalinist hegemony of the 20th century left. Bordiga saw the Soviet Union as "state capitalist," and sought to rebuild a "true" Leninism as the basis for a revolutionary party. The Fundamentals for a Marxist Orientation, and Other Writings on Marxist Theory are the essential pieces of Bordiga's writing that demonstrate his strain of Marxism. This collection includes: 1. The Fundamentals for a Marxist Orientation 2. Characteristic Theses of the Party 3. The Fundamentals for a Revolutionary Communism 4. The Original Content of the Communist Program
In the past two decades, Marxism has enjoyed a revitalization as a research program and a growth in its audience. This renaissance is connected to the revival of anti-capitalist contestation since the Seattle protests in 1999 and the impact of the global economic and financial crisis in 2007–8. It intersects with the emergence of Post-Marxism since the 1980s represented by thinkers such as Jürgen Habermas, Chantal Mouffe, Ranajit Guha and Alain Badiou. This handbook explores the development of Marxism and Post-Marxism, setting them in dialogue against a truly global backdrop. Transcending the disciplinary boundaries between philosophy, economics, politics and history, an international ran...
One of the most controversial questions in Italy today concerns the origins of the political terror that ravaged the country from 1969 to 1984, when the Red Brigades, a Marxist revolutionary organization, intimidated, maimed, and murdered on a wide scale. In this timely study of the ways in which an ideology of terror becomes rooted in society, Richard Drake explains the historical character of the revolutionary tradition to which so many ordinary Italians professed allegiance, examining its origins and internal tensions, the men who shaped it, and its impact and legacy in Italy. He illuminates the defining figures who grounded the revolutionary tradition, including Carlo Cafiero, Antonio La...
These essays show why we need something more than single-issue organizations, movement coalitions, if we are to achieve real change.
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by c...