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The Best Books of 2022, The New Yorker Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers. There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second,...
Excellence is the ultimate human power and the source of our greatest inventions, most successful businesses, deepest insights, furthest explorations, best performances, and most profound art. Yet some people and companies fear, hate, or are otherwise opposed to excellence. Why? In this book George Adams answers the question based on his many years of experience as a CPA, MBA, small business owner, and survivor of countless difficult life experiences.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to...
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Every culture, every religion, every era has enshrined otherwise regular objects with a significance which stretches beyond their literal importance. Whether the bone of a Catholic martyr, the tooth of a Buddhist lama, or the cloak of a Sufi saint, relics are material conduits to the immaterial world. Yet relics aren't just a feature of religion. The exact same sense of the transcendent animates objects of political, historical, and cultural significance. From Abraham Lincoln's death mask to Vladimir Lenin's embalmed corpse, Emily Dickinson's envelopes to Jimi Hendrix's guitar pick, relics are the objects which the faithful understand as being more than just objects. Material things of sacred importance, relics are indicative of a culture's deepest values. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Darwin called the Galápagos archipelago “a little world within itself,” unaffected by humans and set on its own evolutionary path – strange, diverse, and unique. Islands are repositories of unique cultures and ways of living, seed banks built up in relative isolation. Island is an archipelago of ideas, drawing from research and first-hand experience living, working, and traveling to islands as far afield as Madeira and Cape Verde, Orkney and Svalbard, the Aran Islands and the Gulf Islands, Hong Kong and Manhattan. Islands have long been viewed as both paradise and prison – we project onto them our deepest desires for freedom and escape, but also our greatest fears of forced isolation. This book asks: what can islands teach us about living sustainably, being alone or coexisting with others, coping with uncertainty, and making do? Island explores these and other questions and ideas, but is constructed above all from the stories and experiences gathered during a lifetime of island hopping. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The saxophone is a contradictory instrument that has rooted itself in the soil of pop culture. It's the “devil's horn,” it's the voice of jazz - an extension of the player's soul - it is a character trait of U.S. Presidents, YouTube sensations, and cartoon characters. It has both enhanced and ruined songs, it is sensuous yet abrasive, and it is the only instrument widely excluded from symphonies and orchestras, never quite being taken seriously. As an object that is symbolic of living on the margins of society, the saxophone has never been kind to its players. Blending research, cultural criticism, and personal narrative about her saxophonist father, who lived on the margins until his unexpected death, Mollie Hawkins explores more than just the history of this expressive instrument. She illuminates the dark paths that our passions can lead us down. Saxophone turns the lens around to ask us all: what does it mean to devote your life to such an object - even if it kills you? Can music hold such power over us?
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The haunted doll has long been a trope in horror movies, but like many fears, there is some truth at its heart. Dolls are possessed-by our aspirations. They're commonly used as a tool to teach mothering to young girls, but more often they are avatars of the idealized feminine self. (The word "doll" even acts as shorthand for a desirable woman.) They instruct girls what to strive for in society, reinforcing dominant patriarchal, heteronormative, white views around class, bodies, history, and celebrity, in insidious ways. Girls' dolls occupy the opposite space of boys' action figures, which represent masculinity, authority, warfare, and conflict. By analyzing dolls from 17th century Japanese Hinamatsuri festivals, to the '80s American Girl Dolls, and even to today's bitmoji, “Doll” reveals how the objects society encourages us to play with as girls shape the women we become. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. As a former world-ranked swimmer whose journey toward naturalization and U.S. citizenship began with a swimming fellowship, Piotr Florczyk reflects on his own adventures in swimming pools while taking a closer look at artists, architects, writers, and others who have helped to cement the swimming pool's prominent and iconic role in our society and culture. Swimming Pool explores the pool as a place where humans seek to attain the unique union between mind and body. Object Lessons is published in partnership with an essay series in The Atlantic.
“A tender paranormal romance exploring love and family ties, and it’s tinged with intrigue and vengeance” from the bestselling author of As Twilight Falls (Publishers Weekly). Holly Parrish has never met anyone like Micah Ravenwood: his dark eyes, his movie-star smile, the indefinable way he looks at her. Even when she thought he was no more than another client for her investment firm, her lust overpowered her logic. But she never expected this attraction to whisk her from her busy southern California life to a silent and eerie ghost town in Wyoming. Only vampires call the deserted place home—and one of them is Micah. He says he’s brought her to Morgan Creek for her safety, that vi...