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The Mother Wound
'A magnificent and devastating work of art. There is a raging anger here, and a deep sorrow, but at the core Haydar gives us truths about love. This is one of the most important books I've ever read.' Bri Lee 'I am from a family of strong women.' Amani Haydar suffered the unimaginable when she lost her mother in a brutal act of domestic violence perpetrated by her father. Five months pregnant at the time, her own perception of how she wanted to mother (and how she had been mothered) was shaped by this devastating murder. After her mother's death, Amani began reassessing everything she knew of her parents' relationship. They had been unhappy for so long - should she have known that it would e...
The Mother Wound
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Arab, Australian, Other: Stories on Race and Identity
Although there are 22 separate Arab nationalities representing an enormous variety of cultural backgrounds and experiences, the portrayal of Arabs in Australia tends to range from homogenising (at best) to racist pop-culture caricatures. Edited by award-winning author and academic Randa Abdel-Fattah, and activist and poet Sara Saleh, and featuring contributors Michael Mohammed Ahmad, Ruby Hamad and Paula Abood, among many others, this collection explores the experience of living as a member of the Arab diaspora in Australia and includes stories of family, ethnicity, history, grief, isolation, belonging and identity.CONTRIBUTORS INCLUDE:Paula Abood | Nokomi Achkar | Michael Mohammed Ahmad | Rooan Al Kalmashi | Ryan Al-Natour | Rawah Arja | Hana Assafiri | Sarah Ayoub | Omar Bensaidi | Sara El Sayed | Asma Fahmi | Farid Farid | Ruby Hamad | Abdulrahman Hammoud | Lamisse Hamouda | Amani Haydar | Miran Hosny | Lora Inak | Elias Jahshan | Nicola Joseph and Huna Amweero | Zainab Kadhim and Mohammad Awad | Wafa Kazal | Yassir Morsi
Sweatshop Women
Sweatshop Women is an exciting and contemporary collection of prose and poetry written by women from Indigenous, migrant and refugee backgrounds. In this second volume, Australia's most urgent new voices return to reclaim their stories of culture, sovereignty and diaspora.
Racism
Are we a nation of racists? Thirty-nine writers confront our darkest truths in this fearless collection of short stories, poems and essays from the margins of Australia.
Why Race Still Matters
'Why are you making this about race?' This question is repeated daily in public and in the media. Calling someone racist in these times of mounting white supremacy seems to be a worse insult than racism itself. In our supposedly post-racial society, surely it’s time to stop talking about race? This powerful refutation is a call to notice not just when and how race still matters but when, how and why it is said not to matter. Race critical scholar Alana Lentin argues that society is in urgent need of developing the skills of racial literacy, by jettisoning the idea that race is something and unveiling what race does as a key technology of modern rule, hidden in plain sight. Weaving together international examples, she eviscerates misconceptions such as reverse racism and the newfound acceptability of 'race realism', bursts the 'I’m not racist, but' justification, complicates the common criticisms of identity politics and warns against using concerns about antisemitism as a proxy for antiracism. Dominant voices in society suggest we are talking too much about race. Lentin shows why we actually need to talk about it more and how in doing so we can act to make it matter less.
The Others
I heard voices talking last night. I've never heard my father talk to someone else. Not that I can remember. I was in bed, and I heard my father's voice first. He was talking to someone, and then I heard another man with a deep voice. The man got angry, I could tell, even though I couldn't hear exactly what he was saying. Then my father said, 'I'd kill you first.' On his eleventh birthday, Jacob's father gives him a diary. To write about things that happen. About what he and his father do on their farm. About the sheep, the crop, the fox and the dam. But Jacob knows some things should not be written down. Some things should not be remembered. The only things he knows for sure is what his father has taught him. Sheltered, protected, isolated. But who is his father protecting him from? And how far will his father go to keep the world at bay? All too soon, Jacob will learn that sometimes we all have to do terrible things. From the bestselling author of WIMMERA and THE RIP comes an unforgettable novel that explores the darkness in our world with the light only a child can find.
White Tears/Brown Scars
Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of...
Killernova
In KILLERNOVA Omar Musa remixes this ancient art form with fiery poetry forged in the stars. Relentlessly on beat, visually captivating and deceptively intimate, this is a collection of words and art that burns blindingly bright.
Bridget Crack
The kind of book that keeps you reading past midnight, holding on for dear life. There's a sense of menace on every page. An incredible debut by a brilliant new talent.' Rohan Wilson, author of To Name Those Lost Van Diemen's Land, 1826. When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. Too late, she realises the place she has ended up is the worst of all: the 'Interior,' where the hard cases are sent-a brutally hard life with a cruel master, miles from civilisation. ...
