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Sensual Excess
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violenc...
Sensational Flesh
The author uses masochism as a lens to examine how power structures race, gender, and embodiment in different contexts. Musser employs masochism as a tool for probing relationships between power and subjectivity. Engaging with a range of debates about lesbian S&M, racialization, femininity, and disability, as well as key texts such as Sacher-Masoch's Venus in Furs, Pauline Réage's The Story of O, and Michel Foucault's History of Sexuality, Musser renders legible the complex ways that masochism has been taken up by queer, feminist, and critical race theories. Furthering queer theory's investment in affect and materiality, she proposes "sensation" as an analytical tool for illustrating what it feels like to be embedded in structures of domination such as patriarchy, colonialism, and racism and what it means to embody femininity, blackness, and pain.
Sensational Flesh
In everyday language, masochism is usually understood as the desire to abdicate control in exchange for sensation—pleasure, pain, or a combination thereof. Yet at its core, masochism is a site where power, bodies, and society come together. Sensational Flesh uses masochism as a lens to examine how power structures race, gender, and embodiment in different contexts. Drawing on rich and varied sources—from 19th century sexology, psychoanalysis, and critical theory to literary texts and performance art—Amber Jamilla Musser employs masochism as a powerful diagnostic tool for probing relationships between power and subjectivity. Engaging with a range of debates about lesbian S&M, racializat...
Sensual Excess
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violenc...
A Companion to Critical and Cultural Theory
This Companion addresses the contemporary transformation of critical and cultural theory, with special emphasis on the way debates in the field have changed in recent decades. Features original essays from an international team of cultural theorists which offer fresh and compelling perspectives and sketch out exciting new areas of theoretical inquiry Thoughtfully organized into two sections – lineages and problematics – that facilitate its use both by students new to the field and advanced scholars and researchers Explains key schools and movements clearly and succinctly, situating them in relation to broader developments in culture, society, and politics Tackles issues that have shaped and energized the field since the Second World War, with discussion of familiar and under-theorized topics related to living and laboring, being and knowing, and agency and belonging
Keywords for Gender and Sexuality Studies
"This book deepens analyses of the relationships among race, gender, sexuality, nation, ability, and political economy by foregrounding justice-oriented intersectional movements and scholarship including: Black, Indigenous, and women of color feminisms; transnational feminisms; queer of color critique; trans, disability, and fat studies; feminist science studies; and critiques of the state, law, and prisons that emerge from within queer and women of color justice movements"--
After Queer Studies
After Queer Studies centers the literature and critical practices that instigated queer studies and charts trajectories for its further evolution.
Toyin Ojih Odutola
A seminal work by one of today’s most vital figurative artists explores the complexity of race, wealth, and class through storytelling and multimedia drawings. This extraordinary illustrated story—Toyin Ojih Odutola’s best-known body of work—chronicles the private lives of two fictional aristocratic Nigerian families, the UmuEze Amara Clan and the House of Obafemi, if colonialist and slave-trade interventions had never disrupted the country. Rendered life-size in charcoal, pastel, and pencil, Ojih Odutola’s figures appear enigmatic and mysterious, set against the artist’s larger conceived narrative, highlighting the malleability of identity and assumptions about race, wealth, and...
Future Sex
Emily Witt is single and in her thirties. She has slept with most of her male friends. Most of her male friends have slept with most of her female friends. Sexual promiscuity is the norm. But up until a few years ago, she still envisioned her sexual experience achieving a sense of finality, 'like a monorail gliding to a stop at Epcot Center'. Like many people, she imagined herself disembarking, finding herself face-to-face with another human being, 'and there we would remain in our permanent station in life: the future'. But, as we all know, things are more complicated than that. Love is rare and frequently unreciprocated. Sexual acquisitiveness is risky and can be hurtful. And generalizing ...
Tell Me a Story, I Don't Care If It's True
In a time when it seems our priorities are placed on certainty and how to control output amidst a plethora of information that also feels protean and deeply influential, drawing out these vignettes was a means of understanding for me. The works were created using colored pencil, graphite and ink at random, yet seeing them collectively, I sense a yearning. As if, in my attempts at understanding the activity of creating them superseded my intentions; the very conundrum I aimed to solve. Who am I to say what these works mean, but if I present them in such a way as to leave room for others to partake in the translation does that counter the underlying yearning? Exactitude is elusive. Now complet...
