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God as an Absent Character in Biblical Hebrew Narrative
Although the Hebrew Bible as a whole is centered on God and God's relations with Israel, the character of God appears in most biblical stories only indirectly. How are modern readers to make sense of this paradox? God as an Absent Character in Biblical Hebrew Narrative establishes a set of literary methods that both academic and non-academic readers can use to understand the character of God, who is the single most important character in Hebrew Bible narrative and, strangely, absent from the majority of it.
International Review of Biblical Studies, Volume 51 (2004-2005)
Annotation. Formerly known by its subtitle "Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete", the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950's. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts - which may be in English, German, or French - are arranged thematically under headings such as e.g. "Genesis", "Matthew", "Greek language", "text and textual criticism", "exegetical methods and approaches", "biblical theology", "social and religious institutions", "biblical personalities", "history of Israel and early Judaism", and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.
Esther against Joseph’s Backdrop
An examination of MT Esther’s relationship to the Joseph story, this study employs recent advances in author-oriented biblical intertextuality to address the debate concerning the religious purpose of the Scroll. While previous scholarship has seen Esther’s divine silence indicating God’s hidden hand, the characters’ or readers’ quiet faiths, or the secular concerns of an ancient Jewish nationalism, key aspects of Esther’s allusive character illustrate how the book purposefully constructs a theology of divine absence. As good-looking Israelites continue to rise in foreign courts to deliver themselves and their people from imminent dangers, the patterns God initiated in the Egypti...
Vote and Voice
Wendy B. Sharer explores the rhetorical and pedagogical practices through which two prominent postsuffrage organizations—the League of Women Voters and the Women’s International League for Peace and Freedom—challenged the conventions of male-dominated political discourse and trained women as powerful rhetors. Vote and Voice is the first book-length study to address the writing and speaking practices of members of women’s political organizations in the decade after the suffrage movement. During those years, women still did not have power within deliberative and administrative organs of politics, despite their recent enfranchisement. Because they were largely absent from diplomatic circles and political parties, post-suffrage women’s organizations developed rhetorical practices of public discourse to push for reform within traditional politics. Vote and Voice is historically significant as well as pedagogically beneficial for instructors who connect rhetorical education with public participation by integrating writing and speaking skills into a curriculum that aims to prepare educated students and active citizens.
Sacrifice and Gender in Biblical Law
This book examines the Hebrew Bible's numerous laws about sacrificial procedure to understand the significance of gender in sacrificial rituals and the reasons that gender distinctions are so vital in these acts. Gender selection of both victims and participants is an intrinsic aspect of the nature and purpose of each rite, affecting its form and function, as well as its legitimacy. Sacrifice and Gender in Biblical Law considers the laws of the firstborn, the rite of the red cow, laws of slaughter, rituals of purification, and other offerings. It shows that these laws regulate material wealth and contribute to the construction of social roles.
Closure in Biblical Narrative
Multiple and sometimes unexpected forms of closure in biblical narratives bring their stories to satisfactory close. Knowledge of these conventions and how they affect their stories is valuable to students of Bible and of narrative.
Exodus 18
This work argues that Exod 18:1–27 functions literarily and theologically as the key transitional midpoint in the Exodus narrative. As such, the chapter’s function is both retrospective (recalling key features of chapters 1–17) and prospective (anticipating key features of chapters 19–40) at the midpoint of the book. In the Exodus narrative, the character of Jethro is rhetorically employed by the narrator as a model to contrast with all the nations and as a model to contrast with all the faithless Israelites. Exodus 18 draws to a close a first narrative movement in the first half of the book in which Yahweh is seen and known through his mighty acts of deliverance. Through Moses, Yahweh delivers. Exodus 18 also signals a shift in the second half of the book to a self-revelation of Yahweh which will feature Israel’s need to heed the word and will of Yahweh as mediated through Moses. Through Moses, Yahweh will govern.
Character Complexity in the Book of Ruth
Kristen Moen Saxegaard demonstrates how character complexity generates theological themes in the Book of Ruth. Each character has its specific voice which raises a particular topic. The interaction between the characters elaborates multiple perspectives to these themes, which offer new approaches and alternative answers to the reading of Ruth.
Biblical Theology
This book offers two things in particular: first, these are papers that have been commented on and re-worked in the context of a set of lively sessions from (International) SBL conferences from 2012 to 2014 (Amsterdam, St. Andrews, Vienna). Second, they offer an insight into the origins of the discipline as one which became conscious of itself in the early modern era and the turn to history and the analysis of texts, to offer something exegetical and synthetic. The fresh wind that the enterprise received in the latter part of the twentieth century is the focus of the second part of the volume, which describes the recent activity up to the present "state of the question." The third part takes a step further to anticipate the way forward for the discipline in an era where "canon"--but also "Scripture" and "theology"--seem to be alien terms, and where other ideologies are advanced in the name of neutrality. Biblical Theology will aim to be true to the evidence of the text: it will not always see clearly, but it will rely on the best of biblical criticism and theological discernment to help it. That is the spirit with which this present volume is imbued.
Where is God in the Megilloth?
In Where is God in the Megilloth? Brittany N. Melton constructs a dialogue among Ruth, Esther, Lamentations, Ecclesiastes, and Song of Songs centred on this question, in an effort to settle the debate about whether God is present or absent in these books. Their juxtaposition in the Hebrew Bible highlights their shared theme of apparent divine absence, but, paradoxically, traces of God’s presence are unearthed as well. By examining various aspects of this theme, including the literary absence of God, divine abandonment, God-talk, allusive language, God’s providence, and divine silence, it becomes clear that the ambiguity of divine presence and absence in the Megilloth presents a significant challenge to current conceptualizations of divine presence and absence in the Hebrew Bible.
