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American Studio Glass, 1960-1990
A unique exploration of the question, can art be fashioned out of glass? Analysis of the philosophical and circumstantial factors that reveal the early history of the movement and the clash of ambitions and power that marked the relationship between the worlds of so-called crafts and high art. 81 colour & 47 b/w illustrations
Nature Transformed
This publication presents a selection of wood-based works from the collection of Robert Bohlen, one of the finest and most thorough collectors of wood art. The artistic progress of the medium is analyzed by a wide array of essays.
Studio Furniture of the Renwick Gallery
Take a tour of the Renwick Gallery, the craft division of the Smithsonian, and enjoy an in-depth look at the artists and the work of this unparalleled collection of handmade contemporary furniture. This absorbing volume features profiles and interviews of 64 artists and reveals their artistic influences and interpretations along with 112 stunning photos of iconic work.
Clearly Inspired
For five thousand years, artisans have worked in glass to create forms that serve and delight. But only recently have artists turned their hands and minds to this traditionally utilitarian and decorative material. Clearly Inspired: Contemporary Glass and Its Origins contrasts the work of contemporary glass artists with examples of earlier glass that have inspired them to rediscover or reinvent forgotten techniques. Transforming an ancient craft into a contemporary art, they honor the past while making visual statements that are very much of our time.
In the Vanguard
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 195...
Sculpture, Glass, and American Museums
6 Acknowledgments 7 Foreword Doug Anderson 9 Sculpture, Glass, and American Museums Martha Drexler Lynn 34 Museum Profiles Martha Drexler Lynn 36 Chrysler Museum of Art 45 Cincinnati Art Museum 50 Cleveland Museum of Art 58 Corning Museum of Glass 66 Detroit Institute of Arts 72 M.H. de Young Memorial Museum 80 High Museum of Art 88 Indianapolis Museum of Art 98 Los Angeles County Museum of Art 104 Metropolitan Museum of Art 110 Milwaukee Art Museum 118 Mint Museum of Craft and Design 124 Museum of Arts and Design 130 Museum of Fine Arts, Boston 136 Museum of Fine Arts, Houston 143 Museum of Modern Art, New York 148 National Liberty Museum 152 Norton Museum of Art 158 Oakland Museum of California 164 Racine Art Museum 170 Renwick Gallery 178 Seattle Art Museum 182 Speed Art Museum 188 Tacoma Art Museum 193 Tampa Museum of Art 202 Toledo Museum of Art 214 Selected Reading 215 Index 224 Photograph and Copyright Credits.
A Chosen Path
Renowned ceramic artist Karen Karnes has created some of the most iconic pottery of the late twentieth and early twenty-first centuries. The body of work she has produced in her more than sixty years in the studio is remarkable for its depth, personal voice, and consistent innovation. Many of her pieces defy category, invoking body and landscape, pottery and sculpture, male and female, hand and eye. Equally compelling are Karnes's experiences in some of the most significant cultural settings of her generation: from the worker-owned cooperative housing of her childhood, to Brooklyn College under modernist Serge Chermayeff, to North Carolina's avant-garde Black Mountain College, to the Gate Hi...
Makers
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
