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The Swiss missionaries played a primary role in explaining Africa to the literate world in the late nineteenth and early twentieth centuries. This book emphasises how these European intellectuals, brought to the deep rural areas of southern Africa by their vocation, formulated and ordered knowledge about the continent. Central to this group was Junod who became a pioneering collector in the fields of entomology and botany. He would later examine African society with the methodology, theories and confidence of the natural sciences. On the way he came to depend on the skills of African observers and collectors. Out of this work emerged, in three stages between 1898 and 1927, an influential cla...
This volume deals with those Christians who helped construct an international and inter-denominational evangelical network in western Europe in the middle of the nineteenth century. The Evangelical Alliance (est. 1846) institutionalised this ecumenical impulse. The Berlin Conference (1857) was the high-point of cross-border cooperation in those decades. The réveil in France and Switzerland and the Erweckung in Germany laid the groundwork for the Alliance in Europe. England, the motherland of the evangelical revival, provided a resource centre for continental evangelicalism. The chapters on the various missionary endeavours at home and abroad draw attention to the outward-looking, charitable and evangelistic character of evangelicals. Students of evangelicalism, the missionary movement and the ecumenical movement will find the book to be of particular importance.
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Friedrich Nietzsche (1844-1900) was not only a philosopher who loved and wrote about music; he was also a musician, pianist, and composer. In this ground-breaking volume, philosophers, historians, musicians, and musicologists come together to explore Nietzsche’s thought and music in all its complexity. Starting from the role that music played in the formation and articulation of Nietzsche’s thought, as well as the influence that contemporary composers had on him, the essays provide an in-depth analysis of the structural and stylistic aspects of his compositions. The volume highlights the significance of music in Nietzsche’s life and looks deeply at his musical experiments which led to a new and radically different style of composition in relation with his philosophical thought. It also traces the influence that Nietzsche had on many other musicians and musical genres, from Russian composers to current rock music and heavy metal.
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Reproduction of the original.