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This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.
A fascinating record of the early years of Thomas Lawrence: the story of an exceptional young portraitist and future president of the Royal Academy. Like his Renaissance predecessors Raphael, Michelangelo and Dürer, the young Thomas Lawrence (1769-1830) was considered to be a boy genius. This survey of Lawrence's first twenty-five years tells the story of an exceptional artist growing up at the end of the century when Britain created its own unique artistic voice. It accompanies a major exhibition at the Holburne Museum in Bath and includes previously unpublished works as well as some of Lawrence's most brilliant masterpieces. Lawrence first came to public attention when he was cited in a s...
This book situates the work of the artist Joseph Wright of Derby (1734–1797) within the context of his life and times. It brings to light fresh information, including evidence of the flute music that Wright played and the ‘graveyard’ genre of poetry that he read. The book argues that Wright is the author of ‘The Final Farewell: a poem written on retiring from London’ (1787). It will be of interest to all admirers of this famously retiring artist. By the same author: The Adventures and Speculations of the Ingenious Peter Perez Burdett.
Beginning with the early history of London’s Vauxhall pleasure gardens, this volume surveys visionary architecture and urban planning from the 18th century to the present. The recurrence of themes of technology, individual agency and communal living in the work of Le Corbusier, Eileen Gray, Charles and Ray Eames and Constant Nieuwenhuys, testifies to the continued search for an ideal personal and public space. Inspired by works of fiction such as Utopia, Herland, Mizora: World of Women and Homo Ludens and the films Metropolis and Stalker, artists and architects created fantastic plans for individual homes, housing complexes and entire urban centers. The resulting projects discussed here ma...
In criminal cases, practitioners such as police officers, crime scene investigators, pathologists, prosecutors, and judges are expected to make decisions that are objective and impartial. However, research since the 1960's into so-called confirmation bias provides persuasive scientific evidence that humans are unable to do so. As flawed investigations and proceedings come to light, the importance of undertaking proper bias mitigation measures is clear. Confirmation Bias in Criminal Cases takes a multi-disciplinary approach to a complex, real-world issue. It lays out the chronology of criminal investigations and proceedings, and assesses how bias plays a role in each stage. It also offers research-based strategies to combat bias, such as independent review, contextual information management, linear sequential unmasking, and structured evaluations of the evidence. This book is vital reading for anyone involved in the criminal justice system. It not only gives a holistic view of the human element of confirmation bias but it also offers strategies for how to address it.
It's love at first sight...but can it be love forever? Amina Wright loves her job in community outreach for the Chicago Bulls NBA team, but life has taught her to be wary of players. So she’s not sure what to expect when a good-looking anesthesiologist smoothly cuts in at the charity gala she’s hosting and handles the womanizing jerk trying to waste her time. Certainly gratitude is in order—but a relationship? Not on the table. Dr. Nathan Moore doesn’t have time for a relationship, especially not a complicated one. He can’t believe he let his friend drag him to some fancy event, and he certainly wasn’t expecting to rescue a beautiful woman as a distraction. But now he wants to spend more time with Amina, even if most of his waking hours are devoted to the hospital. Indulging in a relationship that sizzles their blood is the easy part. But her past threatens his career’s future, and their cultural differences are putting stress on the present. Can they build a love strong enough to heal both their hearts?
Published to accompany the exhibition Angels and urchins at The Djanogly Art Gallery, University of Nottingham 28 March - 4 May 1998, and Kenwood House, Hampstead, London 14 May - 9 August 1998.
"Beginning with key questions about clients of microfinance - Who are they? What financial services do they want? What is the impact of financial services on their lives? - the book examines all levels of the financial system. It shows what works, what does not work, and where more learning is needed. By focusing on promising models and practices, it offers a vision of how to achieve financial systems that will ultimately offer access for all."--BOOK JACKET.
** Selected as a Book of the Year in The Times, Sunday Times and Observer ** 'Compulsively readable - the pages seem to turn themselves' John Carey, Sunday Times 'Brings one of the very greatest [artists] vividly to life' Literary Review Thomas Gainsborough (1727-88) lived as if electricity shot through his sinews and crackled at his finger ends. He was a gentle and empathetic family man, but had a shockingly loose, libidinous manner and a volatility that could lead him to slash his paintings. James Hamilton reveals the artist in his many contexts: the talented Suffolk lad, transported to the heights of fashion; the rake-on-the-make in London, learning his craft in the shadow of Hogarth; the society-portrait painter in Bath and London who earned huge sums by charming the right people into his studio. With fresh insights into original sources, Gainsborough: A Portrait transforms our understanding of this fascinating man, and enlightens the century that bore him.