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Bad Habits
A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book) in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself
Good as Gone
Eight years ago, thirteen-year-old Julie Whitaker was kidnapped from her bedroom in the middle of the night.
Last Woman Standing
"In Amy Gentry's follow-up to her acclaimed debut, Good As Gone, two assaulted women make a pact to kill each other's tormentor. But in the fallout, their paranoia grows until neither is sure whom she can trust. At what cost will their vengeance come?"--
Tori Amos's Boys for Pele
It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.
The Lady Upstairs
"A racy and hard-to-put-down piece of neo-noir."--Washington Post A modern-day noir featuring a twisty cat-and-mouse chase, this dark debut thriller tells the story of a woman who makes a living taking down terrible men...then finds herself in over her head and with blood on her hands. The only way out? Pull off one final con. Jo's job is blackmailing the most lecherous men in Los Angeles--handsy Hollywood producers, adulterous actors, corrupt cops. Sure, she likes the money she's making, which comes in handy for the debt she is paying off, but it's also a chance to take back power for the women of the city. Eager to prove herself to her coworker Lou and their enigmatic boss, known only as t...
Bad Habits
A whip-smart psychological thriller from the author ofGood as Gone(aNew York TimesNotable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone unrecognizable to her struggling family, her ambitious academic friends, and even herself Claire "Mac" Woods--a professor enjoying her newfound hotshot status at an academic conference--finally has the acceptance and admiration she has long craved. But at the conference's hotel bar, Mac is surprised to run into a face from a past she'd rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac's foil, rival, and former best friend. When Gwen moved to town in high school, Claire--then known as ...
Good Behaviour
Discover this wickedly funny classic about the very bad behaviour of an aristocratic family - A BBC2 Between the Covers pick! *** 'Molly Keane is a mistress of wicked comedy' VOGUE 'Dark, complex, engaging . . . a wonderful tour de force' MARIAN KEYES I do know how to behave - believe me, because I know. I have always known . . . Behind the gates of Temple Alice, the aristocratic Anglo-Irish St Charles family sinks into a state of decaying grace. To Aroon St Charles, large and unlovely daughter of the house, the fierce forces of sex, money, jealousy and love seem locked out by the ritual patterns of good behaviour. But crumbling codes of conduct cannot hope to save the members of the St Charles family from their own unruly and inadmissible desires. . . 'I have read and re-read Molly Keane more, I think, than any other writer. Nobody else can touch her as a satirist, tragedian and dissector of human behaviour. I love all her books, but Good Behaviour and Loving and Giving are the ones I return to most' MAGGIE O'FARRELL
Love Me Back
Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It's a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration competes with a stubborn will to survive. Pulsing with a fierce and feral energy, Love Me Back is an unapologetic portrait of a woman cutting a precarious path through early adulthood and the herald of a powerful new voice in American fiction.
The Future of Just War
Just War scholarship has adapted to contemporary crises and situations. But its adaptation has spurned debate and conversation—a method and means of pushing its thinking forward. Now the Just War tradition risks becoming marginalized. This concern may seem out of place as Just War literature is proliferating, yet this literature remains welded to traditional conceptualizations of Just War. Caron E. Gentry and Amy E. Eckert argue that the tradition needs to be updated to deal with substate actors within the realm of legitimate authority, private military companies, and the questionable moral difference between the use of conventional and nuclear weapons. Additionally, as recent policy maker...
Bad Habits
AN APPLE BEST BOOK OF FEBRUARY "It is almost impossible to find the words for a truly original novel such as Bad Habits, a primal scream of a book that could be written only by this author at this time. Amy Gentry is in utter control of this anaconda of a story as it twists, squeezes and lashes out at the reader. And all the reader can do is stare helplessly back, mesmerized. In case it’s not clear, I loved it.” —Laura Lippman, New York Times bestselling author of The Sunburn and Lady of the Lake A whip-smart psychological thriller from the author of Good as Gone (a New York Times Notable Book), in which a grad student becomes embroiled in a deadly rivalry that changes her into someone...
