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This book brings together a collection of work from emerging and established scholars who have put forth a vision of what critical sociology is and what it could be in the early decades of the 21st century. Pushing beyond the theoretical outlines of sociological critique, the authors demonstrate how critical sociology is practiced through conceptual innovation and empirical analyses interweaving the themes of society, power, and culture. Interrogating the Social reinvents the project of critical sociology in two ways: by reflecting upon society as an object of inquiry; and by questioning the existing social order’s self-evident character and exclusionary effects. In doing so, it answers three related questions: How should social relations and interactions be re-thought today? What new institutional and discursive configurations of power are emerging? How do we make sense of contemporary cultural performances and movements? This edited collection is suited to a w ide and diverse audience across the disciplines of sociology, political science, social and political theory, and cultural studies.
Today’s era of intense globalization has unleashed dynamic movements of people, pathogens, and pests that overwhelm the static territorial jurisdictions on which the governance provided by sovereign states and their formal intergovernmental institutions is based. This world of movement calls for new ideas and institutions to govern people’s health, above all in Africa, where the movements and health challenges are the most acute. This book insightfully explores these challenges in ways that put the perspectives of Africans themselves at centre stage. It begins with the long central and still compelling African health challenge of combating the pandemic of HIV/AIDS. It then examines the g...
"As HIV/AIDS emerged as a public health crisis of significant proportions across much of sub-Saharan Africa, it became the subject of local and international interest--prurient, benevolent, and interventionist. Meanwhile, the experience of Africans living with HIV/AIDS became an object of aesthetic representation in multiple genres by Africans themselves. These cultural representations engaged public discourse--the public policy pronouncements of officials of postcolonial states, an emerging global NGO-speak, and journalism. In Pandemic Genres, Neville Hoad investigates how cultural production--novels, poems, films--around the pandemic supplemented public discourse. From Botswana, Kenya, and South Africa, he shows that the long historical imaginaries of race, empire, and sex underwrote all attempts to bring the pandemic into public representation. Attention to genres that stage themselves as imaginary, particularly on the terrain of feeling, may forecast possibilities for new figurations"--
Over the last few decades, Christianity's center of gravity has moved from the global north to the global south. While church buildings in Western Europe are being closed or sold, new megachurches are filled with believers in Africa and Latin America. Charismatic movements practice the Christian religion in new ways, challenging the established churches and society at large on all continents. This scholarly examination of contemporary World Christianity takes a fresh perspective on Christianity as a cultural, political, and social force in our time. It provides up-to-date regional surveys, gives ample attention to the fastest growing branch of Christianity, the Pentecostal movement, and focuses sharply on Catholicism, which with a wide margin is the world's largest denomination. Furthermore, it explores how the Christian religion accommodates as well as challenges political, social, economic, and cultural developments.
‘Are you from the Midnight Club?’ New York cop John ‘Stef’ Stefanovitch was left widowed and wheelchair-bound after local crime boss 'the Grave Dancer' brutally shot him and his wife. Now, Stef’s looking at the Grave Dancer’s shattered body in a high-end Manhattan brothel. Before his murder, the Grave Dancer was heard speaking of the Midnight Club – a mysterious and secretive group of crime lords who are rumoured to control organised crime around the world. As more criminals turn up dead, the shadowy Midnight Club are believed to be behind the killings. But when men like that are threatened, everyone is in danger...