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Stars of the Desert
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The Book of World-famous Music
Well-researched compilation of music information, analyzes nearly 1,000 of the world's most familiar melodies -- composers, lyricists, copyright date, first lines of music, lyrics, and other data. Includes 30 black-and-white illustrations.
Resonances of the Raj
During the century of British rule of the Indian subcontinent known as the British Raj, the rulers felt the significant influence of their exotic subjects. Resonances of the Raj examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the Raj on the English musical imagination. Conventional narratives depict a one-way influence of Britain on India, with the 'discovery' of Indian classical music occurring only in the post-colonial era. Drawing on new archival sources and approaches in cultural studies, author Nalini Ghuman shows that on the contrary, England was bo...
The Sociocultural Functions of Edwardian Book Inscriptions
This innovative text draws on theories and methodologies from the fields of multimodality, ethnography, and literacy studies to explore the sociocultural significance of book ownership and book inscriptions in Edwardian Britain. The Sociocultural Functions of Edwardian Book Inscriptions examines evidence gathered from historical records, archival documents, and the inscriptive practices of individuals from the Edwardian era to foreground the social, communicative, and performative functions of inscriptive practices and illustrate how material, lexical, and semiotic means were used to perform identity, contest social status, and forge relationships with others. The text adopts a unique ethnoh...
Sea-pictures
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Widening the Horizon
A deep dive into the history and retro appeal of musical exotica, including the Orientalism, Hawaiianesque, and Afro-tropicalism sub-sets. Widening the Horizon is the first in-depth study of exoticism in Post-War popular music. The opening chapters analyze the work of Les Baxter, Martin Denny, Arthur Lyman, Korla Pandit, Yma Sumac—the musicians who developed (and exemplified) the style known as Exotica in the 1950s and 1960s. Other chapters address more recent developments in musical exoticism which have revived and reinflected the form, such as Haruomi Hosono’s Soy Sauce Music trilogy; the works of Van Dyke Parks, on albums such as Tokyo Rose; and the career of New Age populist/exoticist Yanni. Contributors to this anthology include writers and academics from Australia, Canada, Japan, the United Kingdom, and the United States.
