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Addressed to both literary scholars and the general reader, Understanding Anne Enright is an introduction to the novels and stories of one of the most original and engaging contemporary Irish writers. It analyses developments in Enright’s writing, comparing the evolution of themes and forms from one book to another, contextualising her fiction, and interrogating the impact of concepts such as postmodernism, post-feminism and post-nationalism on the writing and reading of her work. It particularly follows the evolution of Enright’s treatment of the corporeality of women’s experiences and its correlation with the embodied language of her fiction. Thus, this book shows how Enright’s writing participates in the latest thematic and formal trends not only of Irish or British, but also of Western, literature.
Studies in the Rhetoric of Fiction investigates the contemporary novel’s relation to its forerunners, the picaresques, romances and sentimental novels of the 18th century. Henry Fielding, Laurence Sterne and Jane Austen are stable landmarks, while, of the contemporary practitioners, a handful recur from one chapter to the next, particularly Julian Barnes, Ian McEwan and Kazuo Ishiguro. The chapters share an interest in the rhetoric of fiction, broadly understood as the way in which fictional works achieve their effects on readers, whether by directly addressing a hypothetical reader, using irony and parody, orchestrating competitions between divergent narratives, imitating musical structur...
Romance: The History of a Genre is a collection of essays devoted to the highly popular and no less controversial genre of romance. A genre often disregarded for its stereotypical language, shallow characters, and predictable plots, dismissed as “women’s” fiction, accused of conventionalism, romance is a genre which, after ups and downs in its millennial history, is now holding a leading position on the international bookselling market. This achievement has also been possible with the endorsement of contemporary media and modern technology, cinema, television, the Internet, etc. Much has been written in both traditional and more recent literary theory about the origins and evolution of...
How did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
This volume explores the intricacies and complexities of food, and maps food cultures and food routes in fiction, by analysing consumption-related matters in the literary and cultural endeavours of authors from countries as diverse as Ireland, Romania, the UK, and the USA. The topics addressed in this vibrant, inter-disciplinary collection of essays open up questions for further studies and explorations on the interconnections between food, fiction, and culture.
What happened after Mr. Darcy married Elizabeth Bennet in Pride and Prejudice? Where did Heathcliff go when he disappeared in Wuthering Heights? What social ostracism would Hester Prynne of The Scarlet Letter have faced in 20th century America? Great novels often leave behind great questions, and sequels seek to answer them. This critical analysis offers fresh insights into the sequels to seven literary classics, including Jane Austen's Sense and Sensibility, the Bronte sisters' Jane Eyre, Louisa May Alcott's Little Women, and Daphne du Maurier's Rebecca.
This book retraces the formation of modern English Studies by departing from philological scholarship along two lines: in terms of institutional histories and in terms of the separation of literary criticism and linguistics.
This book offers insight into the ways students enrolled in European classrooms in higher education come to understand American experience through its literary fiction, which for decades has been a key component of English department offerings and American Studies curricula across the continent and in Great Britain and Ireland. The essays provide an understanding of how post-World War II American writers, some already elevated to ‘canonical status’ and some not, are represented in European university classrooms and why they have been chosen for inclusion in coursework. The book will be of interest to scholars and teachers of American literature and American studies, and to students in American literature and American studies courses.
A fresh approach to building the life of Jane Austen through her letters, demonstrating that a well-known life can be reframed by being grounded in evidence of that life The Life of the Author: Jane Austen takes readers on a literary-biographical journey through Austen's life in letters. Using a unique non-linear approach, author Catherine Delafield explores three frames for Austen's literary life—family, correspondents, and fiction—to suggest new pathways for the interpretation of life writing about one of the most popular and influential English novelists of all time. Delafield addresses multiple aspects of Austen's epistolary practice and the ways in which her letters, juvenile writin...