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'Other' Spanish Theatres
  • Language: en
  • Pages: 356

'Other' Spanish Theatres

'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.

Metastatic Bladder Cancer
  • Language: en
  • Pages: 12
Cervantes and the Hermeneutics of Satire
  • Language: en
  • Pages: 140

Cervantes and the Hermeneutics of Satire

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Iberian Books Volumes II & III / Libros Ibéricos Volúmenes II y III (2 vols)
  • Language: en
  • Pages: 2646

Iberian Books Volumes II & III / Libros Ibéricos Volúmenes II y III (2 vols)

  • Type: Book
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  • Published: 2015-10-05
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  • Publisher: BRILL

Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literat...

Du document à l'utilisateur/from Document to User
  • Language: en
  • Pages: 280

Du document à l'utilisateur/from Document to User

  • Categories: Art
  • Type: Book
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  • Published: 2008
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  • Publisher: Peter Lang

C'est un défi de taille, pour les archivistes, les bibliothécaires, les muséologues ou les documentalistes spécialisés, de conserver la mémoire et la trace du spectacle vivant, dans une société où les techniques évoluent sans cesse. Les techniques d'enregistrement audiovisuel et les supports pour conserver les images se sont modifiés. La mise en valeur de nouveaux médias est une gageure dans la conception des expositions. Enfin, les pratiques de recherche et l'essor conjoint des bases de données ont modifié la donne. Tels sont les nombreux sujets de réflexion qui se sont offerts aux membres de la SIBMAS (Société internationale des bibliothèques et musées des arts du specta...

Annual Bibliography of the History of the Printed Book and Libraries
  • Language: en
  • Pages: 706

Annual Bibliography of the History of the Printed Book and Libraries

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

Impresos dramáticos españoles de los siglos XVI y XVII en las bibliotecas de Barcelona
  • Language: es
Impresos dramáticos españoles de los siglos XVI y XVII en las bibliotecas de Barcelona
  • Language: es
  • Pages: 291
Recorded Places, Experienced Places
  • Language: en
  • Pages: 207

Recorded Places, Experienced Places

This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places'. The first part, in two chapters, is entitled 'Concepts and tools to study rock art'. The second part, 'From sub-naturalistic to Schematic rock art tradition', discusses various expressions of recorded art in the hinterland area of northwest Iberia, as well as expressions of the schematic art tradition from north-central Portugal. The third part, 'Atlantic tradition rock art' comprises four chapters. The fourth part, 'Other styles', includes five chapters focusing on depictions that the book editors consider distinct from the best-known regional styles. Edited by Ana M. S. Bettencourt, Manuel Santos Estevez, Hugo A. Sampaio and Daniela Cardoso