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Curating and the Legacies of Colonialism in Contemporary Iberia
Combining postcolonial studies, curating and contemporary art, this book surveys the role played by artistic curatorship and contemporary art museums in the shaping of identities and cultural planning in contemporary Iberia. The book’s main hypothesis is that contemporary art has been pivotal in the construction of contemporary Iberia, a process marked by the attention paid (in heterogeneous, not always satisfactory ways) to the entanglement of the legacies of colonialism and the present-day status of Iberian territories as cosmopolitan societies now integrated in the European Union. We argue that, at least from the 1990s, curating emerged as a key activity for Iberian societies to display and configure an image of themselves as modern and fully integrated in the European cultural landscape. Such an image, however, had to cope with the legacies of colonialism and the profound socioeconomic transformations of these societies. This book is concerned with bringing together, while redefining and expanding, Iberian and curatorial studies.
Probing the Skin
Adopting an interdisciplinary approach, this volume explores representations of skin in literature, art, art history, visual media, and medicine and its history. The essays collected here probe the symbolic potential of skin as a shifting sign in various historical and cultural contexts, and also examine the material and organic properties of the body’s largest organ. They deal with skin as a sensual organ, as an interface or contact zone, as the visual marker of identity, and as a lieu de memoire in different periods and media. In its material characteristics, skin is regarded as a medium, a canvas, a surface, and an object of both artistic and medical investigations. The contributions investigate representations of skin in sculpture, painting, film, and fictional, as well as non-fictional, texts from the 16th century to the present. The topics addressed here include the problematic representation of racial identity via skin colour in various media; the sensual qualities of the skin, such as smell or taste; the form and function of tattoos as markers of personal, as well as collective, identity; and scars as signifiers of personal pain and collective suffering.
Social Work Research Using Arts-Based Methods
In the first dedicated analysis of its kind, international experts review the rationale and results of arts-based approaches to research, teaching, and practice in social work. The book presents examples of their use and methods to evaluate and theorise results and shows how arts can form outputs from research too.
The Superhero Costume
Costume defines the superhero, disguising and distinguishing him or her from the civilian alter ego. The often garish garb expresses a hero's otherness and empowers its wearers to seek a primal form of justice. This book provides the first interdisciplinary analysis of the superhero costume and investigates wide-ranging issues such as identity, otherness, ritual dress and disguise. Analysis focuses on the implications of wearing superhero costume, exploring interpretations of the costumed hero and the extent to which the costume defines his or her role. Using examples across various media (comic books, film, and television) with case studies including The X-Men, Watchmen, real-life superheroes such as Phoenix Jones and Pussy Riot, and audience activities such as cosplay, The Superhero Costume presents new perspectives on the increasingly popular genre. A lively and thorough account of superhero fashions throughout history, The Superhero Costume will be essential reading for students of visual culture, popular culture, fashion and cultural studies.
M comme mère
Tantôt furies, tantôt sorcières, les mères monstrueuses continuent-elles à être considérées comme des êtres contre nature ou la description de ces femmes, de leurs actes et motivations présumées, a-t-elle changé au cours les siècles ? De tout temps, la monstruosité des mères a suscité l’intérêt de la société. Déclenchant les débats éthiques, des déchaînements médiatiques, elle est aussi à l’origine d’un nombre impressionnant d’œuvres artistiques complexes. L’infanticide maternel est un acte incompréhensible qui a toujours fasciné et répugné à la fois... À partir de 1980, un autre regard semble s’être posé sur ce phénomène, les auteures fémin...
Gender and Difference in the Arts Therapies
Gender and Difference in the Arts Therapies: Inscribed on the Body offers worldwide perspectives on gender in arts therapies practice and provides understandings of gender and arts therapies in a variety of global contexts. Bringing together leading researchers and lesser-known voices, it contains an eclectic mix of viewpoints, and includes detailed case studies of arts therapies practice in an array of social settings and with different populations. In addition to themes of gender identification, body politics and gender fluidity, this title discusses gender and arts therapies across the life-course, encompassing in its scope, art, music, dance and dramatic play therapy. Gender and Difference in the Arts Therapies demonstrates clinical applications of the arts therapies in relation to gender, along with ideas about best practice. It will be of great interest to academics and practitioners in the field of arts therapies globally.
The Street Art Book
Most street artists are self taught, have a highly developed eye for color and design, and a burning desire to be seen and heard. It is also now true that many talented street artists have moved from the street into the commercial world of advertising and design, as well as into the art galleries and museums. Banksy, an internationally renowned street artist whose work combines intricate graffiti and stenciling techniques, was recently featured in the New Yorker and sells his work for over $500,000 per piece. He has inspired a cult following and legions of artists imitating his style. The Street Art Book is the first book to go behind the scenes of the street art world. As an insider's look, it takes us inside the studios of some of the most prominent street artists. It will help street artists successfully create and develop their individual styles. The book explores all of the materials, tools, and techniques that the most famous street artists use as well as showcasing outstanding and innovative work from around the world. Expert artists share their tips for reaching the ultimate twin goals of getting work seen and sold.
Maternal Performance
Maternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other – be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere.
Maternal Geographies
This collection broaches the intersections of critical motherhood studies and feminist geography. Contributors demonstrate that an important dimension of the social construction of motherhood is how mothering happens in space and place, leading to the articulation of diverse maternal geographies. Through 16 concise chapters divided into three thematic sections, the contributors provide an account of motherhood and mothering as spatial practices that are embedded in relations of power across time and place. While some contributors explore how dominant discourses of motherhood seek to keep mothers in their place, others take up the notion of maternal geographies as productive in their own right and follow their subjects as they create a new sense of place. Collectively, the authors demonstrate that mothers are produced and regulated as subjects in relation to space and place, and also that practices of mothering produce spatial relationships.
L'infant que va cap al món
Aquest llibre d’entrevistes és en realitat un llibre de converses i, per tant, un recull de mirades al voltant de la criança que ens ajuden a créixer com a persones i com a mares i pares. Hi recollim les vint entrevistes més rellevants publicades a la revista Viure en Família els últims deu anys. Les persones que hi participen ens confirmen idees però també ens en qüestionen, ens ajuden a mirar-nos i a mirar el món amb uns altres ulls. I no són uns ulls qualssevol, sinó els de persones que han anat més enllà en moltes de les qüestions al voltant de la criança que ens interpel·len com a mares i pares: l’amor, el vincle, les emocions, les relacions familiars, els límits, la sexualitat, el feminisme, l’educació, l’art, la música, la cultura... Totes i cadascuna de les persones entrevistades ens ajuden, des de la conversa, a ser una mica més savis, una mica millors mares i pares i sí, també una mica més bones persones.
